The guy simply likes to be anonymous. So do I. There's not that much to it.
Woopdeedoo.
The guy simply likes to be anonymous. So do I. There's not that much to it.
Woopdeedoo.
That said, you are entitled to your opinion that "there's not that much to it," but I have too much evidence to believe that's the case. I just hinted at it here; when you need to summarize an entire school of thought _and_ share how to apply it, it can get a bit lengthy, and I wasn't in the mood for that, but did have many people asking me "what do you think about the possible return of _why."
Artaud, however, is very straightforward, a kid would understand: it is mostly naked scatologic poetry.
That sounds pretty damn unfortunate.
> Artaud, however
I haven't read Artaud directly, but I just wanted to mention that while D&G take the imagery of the BwO from Artaud, it's pretty much just those words: they fully develop in into its own concept (as well as the very-nearly-identical 'plane of immanence') over a few books, so it's much more Lacan (though Anti-Oedipus is a polemic against psychoanalysis, sooo) than scatologic poetry. Though they did digress into some of that silliness sometimes.
Ferdinand de Saussure, Course in General Linguistics http://books.google.com/books?id=B0eB8mvov6wC&printsec=f...
Jacques Derrida, Of Grammatology http://www.mohamedrabeea.com/books/book1_3997.pdf
and, for fun...
Jacques Derrida, Differànce http://hydra.humanities.uci.edu/derrida/diff.html
(At least, that is my current understanding of the history)
Lets not continue this line of conversation.