And the same reason Claude has all its notorious Claudisms in prose.
The shorter and vaguer a prompt you give to an LLM, the more it fills in further details using associations they've developed through training. These are ley lines that the models gravitate towards. Diffusion models too.
It's why lazy AI use for creative work always comes across as lazy in the wild and always will.
When you use AI for "creative" purposes yourself, it feels like magic to see a pelican riding a bicycle at all, and you're impressed by all those cool details it added. But then 10, or 100, or 10M people throw more or less the same trivial prompts at it and we start to recognize all those "ley line" associations fill in the gaps the same way again and again and again.
- simple prompt for complex output (bad)
- complex prompt for simple output (bad)
- simple prompt for simple output (good)
- complex prompt for complex output (.... is this good or bad?)
There aren't that many associations left once we're primed with a bike and a pelican. It's like that old mental trick "What's the colour of the clouds? What's the colour of the snow? What do cows drink?"
I can see that for stuff like facing right because characters in images generally do face right, and roads generally do have dashed white line separators. But putting a fish in a basket seems like a stretch of creativity—one that I would rather it not make unless prompted to—so it's surprising that every single model now seems to insist on it.
If there isn’t a concerted effort against it the world is going to start to look and feel ever more homogenous.