Don't Look for Talent, Find People Who Do Things
tuckermax.me
tuckermax.me
Then again, his book makes not being a bestselling author seem like an accomplishment.
And that, my friend, is a GREAT marketing plan. You know how when pg says that if there are two explanations for your situation, and one gives you an excuse to be lazy, choose the other one? Most people choose the excuse to be lazy. That's a big market just itching to pay to have someone tell them what they want to hear.
Why should I spend time reading him if he doesn't put time into the quality of his writing?
So you shouldn't spend time reading him, because you aren't his intended audience.
I am not convinced this is true, nor have I seen a sophisticated analysis of his work that demonstrates this point (though I am open to reading one); it seems that most people assume the point and then proceed from there.
I did write a mostly positive analysis of his work here: http://jseliger.wordpress.com/2012/02/09/hilarity-ensues-tuc... , however.
But his stuff is absolute crap.
They're good for a cheap laugh if you're into that sort of thing, but having read I Hope They Serve Beer in Hell, I can agree that his book isn't vapid. There is a bit more to it than one would think.
It made me think about the word "creative". I thought to myself, if I was considering teaming up with this person I would asked them:
"What have you created?"
"Creative" doesn't just apply to visual arts - it's a thinking style. And every human, ever, is creative - just in different avenues. And those avenues are all obtainable by all people.
I would also like point out that early computers were also known as analytic engines.
I know a ton of wonderfully creative minds, full of great ideas, that have never accomplished anything. They never finish, either due to frustration with the schlep, or by starting something new before they ever finish what they were working on. Those people are NOT good creative partners, generally. They'll flake out when the going gets tough - and if what you're doing is interesting enough to be worthwhile, it WILL get tough at some point.
http://bobsutton.typepad.com/my_weblog/2009/10/selecting-tal...
My gut reaction is that there is sample restriction going on: that there is a minimum intelligence create a large volume of coherent software. Additionally, there are a number of practices that are illegal in the US (not sure about other countries) like structured interviews, so the list of things that companies can use is somewhat limited.
WHAT THE HELL?!? STOP THAT!!
Take another job. ANY other job. Flip burgers if you must. Get your priorities in order. 60+ hour work weeks on something you don't utterly love leave you no time to have a life, much less build a career.
"Oh, was that not what you wanted me to say?"
I think it's more in the spirit of "what hobbies do you have" / "what kind of activities do you like".
Because how much someone makes determines if they're dogshit or not.
Isn't talent the ability to do things well? Or maybe I lack a nuanced definition of "talent". Or maybe the headline is trying to be sensational.
Given his industry and as he cites in the post, he probably faces the problem of lots of people who claim to be "writers" more than the average HN user finds people who claim to be "programmers".
But it's implicit in the essay, and I take the headline as not so "sensational" since it's advocating a particular primary focus that's different from a very common and irrelevant one (at least as the primary focus).
I've been told this is one of the things MIT looks for in undergraduate applications, "projects" as they put it, but basically evidence that this is someone who does stuff (which I was fortunate to be able to provide in my application). Which of course is one of the reasons MIT has such a reputation, a strong part of the Zeitgeist is doing things.
To reify that, I think Richard Feynman, Class of '39, first got interested in the Connection Machine when Danny Hillis was visiting Caltech and they ensconced themselves for a week or so discussing it. However, when he showed up to help the new company (there's an exposition of this that's commonly linked to on HN), things were in chaos, and the only thing they could think of right then was to send him to get office supplies. Which he was entirely happy to do, Nobel Prize winner or not.
Hmmm, come to think of it, I've had casual interactions with a couple of Nobelist biologists while studying there, one teaching a class, one was my undergraduate adviser for a term before I switched majors, and they gave off the standard "get things done" vibe, you wouldn't have any idea they'd gotten the prize without looking at their bios.
no one is good at identifying talent ahead of time
It isn't that you don't want talent, or that talent isn't exactly what you want all of your employees to have, but it is difficult to identify. So, the theory in the article seems to go, instead of trying to measure talent, look for other things in your workers- things that have a non-causal relationship to talent.
I swear there is a word for this in statistics- factors which do not have a clear causal relationship, yet still tend to be found together...
A lot of people need to have this idea hammered in over and over until it sticks. Ironically most of them probably don't read HN.
That strategy seems like a great way to never learn anything except whatever confirms your own biases.
"Creative and willing to invest financially". Yes.