1,091 karma · joined September 1, 2015
Now that I have a 5 year old daughter and we play Lego a lot, I see the value of the sets. They teach discipline, and following the instructions is very challenging for a child, requiring quite a bit of mental modelling, spatial awareness, patience and diligence. A feeling of satisfaction when complete, and a teachable moment when you encourage them destroy the built structure and combine it with your loose brick collection for later reuse.
Great toy.
Safety is the ethical ideal, not "justice". We don't punish people because it makes us feel good or for some sense of fairness, we remove people for the good of society.
Edit: I'm Canadian. I know this isn't true today, but I'm glad I said it and am grateful for the replies below. I hope this statement becomes true in America one day.
https://en.wikipedia.org/wiki/Pulitzer_Prize#Categories
Only 1 out of 21 categories are reserved for investigative journalism, and there are categories reserved for commentary, criticism, and editorial, all of which are potentially suitable for Fowler's article.
Something tells me shipping your phones off to be built by other people in China and building your own auto assembly factories from scratch are two completely separate things.
- A purpose and mission you can believe in
- Opportunity for personal and professional growth
- A high quality team to work along-side and be inspired by
- A diverse and inclusive atmosphere
I made concessions about the technical details you're asking about in my post, you chose not to quote that part.
Digital advocates are quick to point out that all of those phenomena can be perfectly modelled in the box. We have convolution reverbs and tube amp models and emulation that can be scientifically proven to match the analog gear.
By point is, you _can_ do all that, but will you? You have a world of possibilities, and so the likelihood when working with a digital / software workflow is that you'll stick to the relative strengths of that setup.
Another thing to note about the hardware console interface is the nature of a classic design. Consoles like the Neve or SSL are familiar to engineers, they are instruments with a hand feel. A recording or mixing engineer can go into a studio and get similar results from similar gear. The listeners ear can pick up a je ne cest pas familiarity from it, what you call "good sound" in another comment, without quote knowing what they're hearing. The same way the Telecaster just "sounds good". It's not better, it's just familiar. Digital workstations are all different and don't achieve the same familiar sound.
The big reason working with hardware like this produces unique results is more about the layout and workflow than the tech inside the machine. The workflow makes the sound. The lack of automation forces you to make choices. Forces your hand, literally. The sound is in the physical design.
Another example is the MPC sampler, which has a workflow that can be heard in hip hop music. Of course software samplers can do everything the MPC can do, and more, but you can hear the signature sound of someone working on an MPC.
http://www.onegreenplanet.org/animalsandnature/amazing-anima...