1,760 karma · joined February 22, 2014
* condensed glyph widths, for ease of setting in narrow columns
* high x-heights and short ascenders and descenders, so lines can be set tighter and more text thus fitted on the page
* robust forms and serifs to allow for the tendency of newsprint to absorb and spread ink
These features don't necessarily translate to improved readability in other contexts.
The typeface dictated the shapes of those glyphs. So you could own a font of Caslon's English Roman typeface, for example. If you wanted to print text in different sizes, you would need multiple fonts. If you wanted to print in italic as well as roman (upright), you would need another font for that, too.
As there was a finite number of slugs available, what text you could print on a single sheet was also constrained to an extent by your font(s). Modern Welsh, for example, has no letter "k": yet mediaeval Welsh used it liberally. The change came when the Bible was first printed in Welsh: the only fonts available were made for English, and didn't have enough k's. So the publisher made the decision to use c for k, and an orthographical rule was born.
Digital typography, of course, has none of those constraints: digital text can be made larger or smaller, or heavier or lighter, or slanted or not, by directly manipulating the glyph shapes; and you're not going to run out of a particular letter.
So that raises the question: what is a font in digital terms?
There appear to be two schools of thought:
1. A font is a typeface at a particular size and in a particular weight etc. So Times New Roman is a typeface, but 12pt bold italic Times New Roman is a font. This attempts to draw parallels with the physical constraints of a moveable-type font.
2. A font is, as it always was, the instantiation of a typeface. In digital terms, this means a font file: a .ttf or .otf or whatever. This may seem like a meaningless distinction, but consider: you can get different qualities of font files for the same typeface. A professional, paid-for font will (or should, at least) offer better kerning and spacing rules, better glyph coverage, etc. And if you want your text italic or bold, or particularly small or particularly large (display text), your software can almost certainly just digitally transform the shapes in your free/cheap, all-purpose font, But you will get better results with a font that has been specifically designed to be small or italic or whatever: text used for small captions, for example, is more legible with a larger x-height and less variation in stroke width than that used for body text. Adobe offers 65 separate fonts for its Minion typeface, in different combinations of italic/roman, weight (regular/medium/semibold/bold), width (regular/condensed) and size (caption/body/subhead/display).
Personally, I prefer the second definition.
* Perl MIDI::Score -- https://metacpan.org/pod/MIDI::Score
* Csound standard numeric scores -- https://csound.com/docs/manual/ScoreTop.html
* CsBeats (alternative score language for Csound) -- https://csound.com/docs/manual/CsBeats.html
But are you required to have them on a unicycle?
Fun fact, the UK's ISO country code is not actually "uk", but "gb". IIRC, ".uk" was grandfathered in (from JANET?) as an exception: ".gb" officially existed for a while in parallel, but no one ever used it and I think it's now defunct.
And a candidate for the location of Camelot, thanks to its Roman name, Camulodunum.
Not really. It's the old name of the Department of the Army. Except for the first nine years of the DoW's existence, the Navy had its own, independent department, as did the USAF once it was established as a separate branch.
The Department of Defense didn't exist until after WW2, and was called the National Military Establishment for the first couple of years.
You see a similar pattern in the UK, which had the War Office for the Army, the Admiralty for the Royal Navy and the Air Ministry for the RAF: after WW2, the Ministry of Defence was created, initially liaising and co-ordinating between the service ministries, and then fully absorbing and replacing them.
tl;dr the Department of War is the old name of the Department of the Army, not of the Department of Defense.
There were annoyances when I realised I could no longer use certain workhorses (e.g. feh), but usually a bit of digging turned up a drop-in replacement (e.g. imv).
Then why not consider it four changes?
3. 'banana' has been turned from the last-but-one element of the list to the last-but-two element of the list
4. 'apple' has been turned from the last-but-two element of the list to the last-but-three element of the list
If we assume dualism, that there is some non-material stuff -- call it soul or spirit or mind or psyche or whatever -- that gives rise to consciousness, I think it's fair to ask how it does that.
And if the answer is "we don't know" or "it just does", I really can't see what we've gained over materialism.
Then isn't that just a document? Why use a slide deck?
Re your second tip: how do you navigate up? I couldn’t see an obvious way to do that, either.
I wanted to attach a build log to a Teams post (maybe we shouldn't be using Teams on Mac, but it's a corporate decision that's out of my hands), and I could not for the life of me figure how to get the file-selection dialog to look at the relevant folder (which was somewhere under /private/). In the end, I had to use iTerm to copy the file to somewhere the dialog could find.
EDIT: this is particularly timely because the UK Met Office has recently announced the retirement of the API I was previously using: https://www.metoffice.gov.uk/services/data/datapoint/datapoi...
In Gowers, it is chapter 9, “The Handling of Words”, section “Troubles with Pronouns”, subsection 15, “Who and whom”; in the edition I own (Pelican Books 1962, reprinted 1970), that can be found on page 206.
See:
- H. W. Fowler, A Dictionary of Modern English Usage
- Eric Partridge, Usage and Abusage
- Ernest Gowers, The Complete Plain Words
who are unanimous on this point.
"The book belongs to the person who purchased it last week". Not "whom".
I think it is reasonable to say that the object of the to is not "who(m)ever", but the entire clause "who(m)ever purchased it last week"; and that clause should follow normal subject/verb agreement.
Similarly:
* "I don't know who purchased the book last week", not "I don't know whom purchased the book last week."
* "This is the person who you said purchased the book last week", not "This is the person whom you said purchased the book last week."
I've done some digging, and Fowler, Partridge and Gowers all support my stance, so I'm fairly confident in it now.
> This book belongs to whomever purchased it last week.
That should be "to whoever", surely? The pronoun is acting as the subject of the verb "purchased".
I believe slashes are the most common separators in Japan (which uses that order), at least when explicit kanji for "year", "month" and "day" aren't used.