9,144 karma · joined April 28, 2021
There are supposed to be two stopgaps here.
First, the fear of going to jail for committing crimes. Secondly, the social reprisal for committing crimes that hurt people.
Like seriously these CEOs shouldn't be welcome at anyone's table or gathering in polite society as a result of their actions, bare minimum. The government should also put them in prison.
Also to your point, this is why compliant peak meters use a mandatory 4x upsampling at 48k.
In the all these animations of the pistons I see linear motion translated into rotary motion using the crank shaft - but how do you design the pison/crank to always turn clockwise or counter clockwise (based on how you view it, obviously)? Is it possible for the crank shaft to lock up if it's perfectly oriented at 0 degrees?
But all the advantages come down to professional or editing use cases. There's next to zero advantage to using it as a storage format for listening. Just like 24 bit audio (do you have an amp with 96dB SNR?).
Just personally, I have seen little evidence (personally, professionally, or academically) that there is any advantage for lossless audio for consumer applications. For professional applications there are plenty, and it's endlessly tiring to convince people that "no, actually I need 96kHz for my use case."
Where the audiophiles have _some_ argument here is the design of reconstruction filters which I've heard alleged can perform better in the audible frequency range if the stop band is outside of it. But I have never personally tested this, nor cared enough to. But the theory is sound.
Whether or not it's perceptible depends on what you're measuring, though. In theory, there should be perceptual differences in sound localization if your DAC's reconstruction filter is at 24kHz vs 48kHz since it will change the group delay in a critical frequency region, where you'll get sound at >~2kHz arriving later at the lower sample rate. I think it would be extremely hard to test this though, because humans are really shitty at sound localization to begin with, and practically speaking most recorded material is processed to shit in that frequency range to intentionally decorrelate the channels for the perception of "width."
There are numerous use cases for higher sample rates that go beyond this but it's hard to talk about it without starting flame wars filled with junk science.
In the 1920s we had legions of very smart, highly trained (arguably better trained in mathematics) basically chucking relays and vacuum tubes together with reckless abandon to build the most valuable and complicated systems mankind had ever come up with (telephony, radio, radar, etc). They had no idea how they worked and only ad-hoc rules of thumb to construct them.
It took the insight of a handful of these people both in and outside of industry to formalize the theory of operation of most of what people were already building and then use that theory to establish formal design practices.
The people before these theories were realized were exceptionally smart and good at what they did, it's just they didn't have better design tools to reason about the things they were building.
And once they had those tools they didn't 10x or 100x overnight.
Secondly nothing precludes defining '3' as the lowest file descriptor for open(), since stdin/stdout/stderr cannot be opened (they are opened before the process starts).
nb4 open("/dev/stdin"), that's not what I mean
And I'm an apple hater, in general.
Also that first example is a Fender, afaict. Fender has been making cheap strats and teles in China for years. They used to do it exclusively under the Squire brand name but that changed about a decade ago.
- Flat top
- Solid body, typically softer/lighter woods
- Bolt-on neck (as opposed to set or through-body)
- Double cutout (as opposed to single/no cutout, V, or other irregular shaped necks) with a longer cutout on top compared to the bottom
- Carved cavity in the top of the body
- "Loaded" pickguard (electronics mounted to it, instead of the body)
- Straight jack mounted into the pickguard
- "Tummy tuck" carved in the back
- Fat/flat shaped bottom of the body like a tele, as opposed to rounded like an LP.
All of these are functional properties of the guitar that have tradeoffs and benefits compared to other designs.
You can have two strats sound completely different but look identical to the untrained eye and the reason for preferring the style has a lot to do with the weight of the instrument and how that weight is distributed when playing standing, and how the body fits in your hands/arms and against your body. There's an argument to be made that the strat is near optimal for comfort in playing.
If you look at competing designs that (PRS McCarty, Ibanez, Schecter, Gretsch - basically anyone) the specific curves may be different but they all look like a Strat because it's genuinely hard to design a different body that feels the same.
The St Vincent signature is one style that I think needs to get more popular but it's not for everyone.
You should be embarrassed to admit this, let alone do it. The lack of shame people have these days is gross.
They don't gather industry experts in a conference room and whiteboard out a perfect design that everyone agrees on and then go off to build products.
What happens is that companies develop products and services, and at some point it becomes more useful for those products to inter operate and protocols/interfaces between them need to be agreed upon. Oftentimes it's the mutant bastard children of the existing approaches by multiple stakeholders, encumbered by patents and legacy.
Adherence to a standard is not the goal, defining interoperability between existing systems is. And everyone participating is already a paying member of SMPTE.
https://world-nuclear.org/information-library/nuclear-fuel-c...
Basically, nuclear waste from power generation is a much smaller problem than people assume it to be, the solutions for managing it are already in place, and there have been few/if any accidents that have ever caused contamination from waste disposal.
Also I'm not an industry shill, but orphan sources from industrial/medical radiography have killed and injured more people than nuclear plants and their waste. Yet there's hardly the amount of opposition to those systems that you see for nuclear power, despite nuclear power having a far more significant impact on the healthiness and stability of global populations if we stopped banning it.
My neighbors, the homeowners who don't rent, are typically on the other side. And it's not unreasonable to want to keep SFH neighborhoods predominantly SFH.
My main risks have have absolutely nothing to do with more housing. It's more physical risk to the property and depreciation.
AI is very, very good at spitting out language. It's very, very bad at ascertaining the quality or correctness of the language it spits out.
And the problem with plausibly correct output is that sometimes it's good enough until it isn't, which is the pattern of behavior I've seen with heavy AI driven research.
I'm not going to discount that it's better than google searches. But it's hardly good enough to equate to undergraduate understanding. The act of reading and writing from primary/secondary sources crafted by humans is in itself the way to acquire and retain knowledge. Having it hallucinated at you in a plausibly correct way is dangerous to equate to that.
There are plenty of organizations that don't enable genocide.