1,557 karma · joined September 8, 2019
foo_dr_meter: A simple Dynamic Range meter based on DR estimation formula published by https://dr.loudness-war.info/
foo_truepeak: ITU-R BS.1770-5 compliant True Peak scanner.
ReplayGain is part of the core components of foobar2000, so automatically adjusting the volume depending on the loudness of the trakc or entire album is pretty much a default feature of this player. The latter two components, especially the latter one give valuable insights into the loudness and mastering quality of a recording. True Peak can calculate the Peak-to-Integrated Loudness of a recording for example the headroom between loudest part and the maximum possible loudness of the format, or it tells you the loudness range in LUFS meaning how squished or wide the dynamic range of a track is. Really nifty if you have a huge music collection and need numbers to quickly compare releases.
I never bought into the recent vinyl hype. Though I really like the beautiful design of many new vinyl releases, I don't think they are for being played. But I used to buy new and used vinyl as a teenager to actually listen to them, and occasionally I still buy used vinyl. Vinyl records from the flea market were as cheap as 1€, so that was an efficient way to grow my music collection before file sharing was a thing.
But now I prefer CDs because what really interests me is the music itself and I simply prefer the version with the best mastering. That's often CD releases from the early 1980s to mid 1990s.
And yes, I still buy music because I don't trust music streaming to be around forever. At least I think there is a real chance CDs will outlast individual services for sure. And in case the internet gets shut down because of war, at least I still have music as long as I have power.
The issue is that vinyl mastering is a special case and different from digital mastering. You have to consider extra things like the width of the grooves, they can vary depending on the runtime of a side, this affects low frequencies as grooves might cut into each other and you'll get skips. And high frequencies degrade the closer you get towards the center of the record. I just think the people who can do this craft are simply retiring or dying out. This affects major label and indie artists alike.
I wonder what hyperscaled compute farms and models will be good for at that running cost when most AI needs can be fulfilled by on-prem and on-device hardware and models. Probably only customer left are big governments. So in the end the tax payer has to pay for those billions of investments by the AI cartel.
Outside the tech bubble people either don't care or already associate AI with increased prices.