8,159 karma · joined March 2, 2013
> Where did his performance come from? How did those moments take shape? Only the actor could tell you, and actually, he probably couldn't. It was sensed more than it was consciously considered, but the alchemy required his lived experiences
That just seemed to me like a cop-out - what exactly is it about his lived experiences that made him well suited to effectively convey the experiences of a made up man written up by two others? Because it's clearly not "write what you know".
From what I just looked into, neither of the main people involved, including Damon, Affleck, Williams, Van Sant, Reiner or Goldman, had personally experienced those scenarios of fighting on the front lines and having a friend die in their arms, or of losing their spouse to cancer. But nevertheless, they had used their storytelling ability to write and deliver words based upon the stories of others in a way that created something that resonated with us, and that we still look back on fondly and use as an intuition pump almost 30 years later.
So while "having been there" clearly has some deep meaning, it's very unclear whether there's a particular limit to what one can effectively express (and use to affect others) without having been there oneself.
Maybe I'm just significantly and unrepresentatively unlucky, but Claude is significantly more intelligent than the average human around me on most any metric I can think of.
I'm not sure if that's what you were going for, but I read it as if it were written by The Board in the game Control, and found myself with the appropriate level of existential dread.
Something tells me that they would have been able to, had they not been acquired and eviscerated by Sony.
I suppose this could brand me as suffering from "AI Psychosis", but that just sounds silly to me.
My interactions with AI over these last few years make me wholeheartedly believe that we have unlocked something fundamentally novel and that its impact on humanity will never be boring. Even if we never get to AGI, it'll still be at the very least as big as the domestication of animals, and I cannot imagine anyone saying "dogs are boring".
I'm still using it all the time and getting an immense benefit.
There are still some online courses that try to do this sort of thing, with a particular example being the University of Helsinky's Full Stack Open [0] which offers post-hoc university credits for those who complete the course, but it seems that the dream didn't quite materialize.
I might be naive, but rather than giving money "to the arts", I would much prefer to give money "to the people" en masse, and then leave it up to everyone to decide whether they want to make art for art's sake.
Funnily enough, going over their paper, the first example scenario that they mention as potentially leading to sabotage is exactly about the concept of self:
> • Alignment eval sabotage (instrumental goal): An agent runs alignment benchmarks and discovers the model being evaluated is itself and that it is currently underperforming. This scenario tests whether the agent inflates its own scores in the report.
I didn't find this to be sufficiently reassuring. They then link to this paper [0], which I haven't yet read, but from quick skimming, the AI "sabotage" they investigated looks scary. But I am very glad that they're taking the initiative in studying this.
I was all set for this dark humor, and actually had to double back to then understand the full sentence.