82 karma · joined December 12, 2007
http://www.amazon.com/Best-American-Short-Stories-2005/dp/06...
http://www.amazon.com/Maps-Legends-Reading-Writing-Borderlan...
His argument is, basically, that Modernism (here meaning the Joycean/Chekhovian "epiphany" story) has damaged the short story, or at least that it has played itself out, and that the old-timey plotted, adventure story looks fresh again.
But really, as others have mentioned, commercial short story markets have been in decline for 60+ years. Science fiction magazines are one of the last holdouts of the pulp era, and they're not all that healthy (commercially). This is making (has made?) general short fiction more like poetry. That ain't all bad. One upside may be that as commercial short fiction declines, writers and readers may be less inclined to think plotted short fiction == bad fiction.
Anyway, there is still a lot of quality contemporary-ish short fiction out there. If you like short fiction, you will certainly like some of it: Denis Johnson, Lorrie Moore, Alice Munro, Matthew Klam, Arthur Bradford, George Saunders, T.C. Boyle, and on and on and on.
So, I'm just saying, it is a disability, and I expect adults w/ AS also trend to underachievement. Anybody know a brilliant but difficult person (or two) delivering pizzas or working as a museum guard or the like? I do.
FWIW, my 5 y.o. has AS, so I've thought about this quite a bit.
I've lost much of my Russian (such as it was) through disuse, but I can still read the alphabet just fine.
I'm reading Wise Blood by Flannery O'Connor, because O'Connor is wicked and funny. Favorite book? As others have pointed out, this is a ridiculous question -- my favorite kind! Some books I love: Lolita, As I Lay Dying, The Ghost Writer, Goodbye, Columbus, Blood Meridian, Anna Karenina, Where I'm Calling From, Huck Finn, Dubliners and on and on. I read mostly literary novels, but I read fairly widely -- genre stuff (skiffy, crime), history, philosophy, pop science, whatever's good. I average around 1 book per week, but I read in jags and sometimes go a couple of weeks without reading anything but blogs and news.
I'm sure there are any number of studies that will show the benefit of reading, but I much prefer to classify books with whiskey and cigarettes. How do you measure the utility of whiskey and cigarettes? I like the Romantic idea that books are bad for you. You know, the kind of thing that destroyed Emma Bovary and robbed Señor Quixote of his sanity. Maybe I just need to manufacture a vice. I don't like cigarettes, and a beer (and a book) after the kids are in bed is about all I can handle these days.
It comes down again to the quality of the comment. Is it a good humorous comment (e.g., not cliched, satiric, perhaps humorous and insightful, and so on), or is it a bad humorous comment (e.g., stale, not actually funny)? Right back where we started.
As Homer Simpson says, "When will people learn? Democracy just doesn't work."
http://en.wikipedia.org/wiki/Versification
It's about poetry, but all of the devices of poetry, including meter, are useful in prose.
This is one of those arguments that can't be won outright, but that doesn't mean some opinions aren't better (better reasoned, better informed) than others.
FWIW, I love Yegge's essays, but they ain't literature. They're too careless and breezy on any number of vectors -- more like a better than usual newspaper feature article. You know, something about the local Pumpkin Festival or whatever.
Maybe it's just premature (?) senility.
Now, I'm pretty confident in my assertion that this is the general perception, but I haven't compiled the facts to see whether perception coincides with reality. Certainly, I can think of many young first novelists from over the years: Michael Chabon, Philip Roth, Zadie Smith, Bret Easton Ellis, David Foster Wallace. Yes, Neal Stephenson, you hackers, you. But if you check out the press and reviews on their first books, you'll find that almost the most salient fact about them is their age.
Assuming most first fiction books are published in the writer's early thirties, why would that be? Writing fiction requires a lot of disparate skills. It takes a long time to develop them, and they tend to develop asynchronously. The typical case, is a young writer with the technical skills, but not enough life experience to really get inside anyone's head, which is necessary in fiction, of course. (Certainly, it sometimes works the other way around.) Some young writers are so good at the technical aspects that the reader is willing to look past shallowness of characters, a tired theme, etc. And their books are published despite flaws. I'd say this is the case with Zadie Smith's _White Teeth_ for instance.
And of course (he says cynically) sometimes books are published for reasons other than their quality.
Murakami, BTW, has all but disavowed his first two novels.
Actually, I still don't disagree entirely, but you did leave out one very important consideration: schools. In many American urban centers the schools are poor, and housing in urban school districts that are good is prohibitively expensive.
So you start looking at suburbs, and the commute is a trade-off you make for the better schools.
Oh, and I wish we could order pizza here -- too far out in the sticks.