1,100 karma · joined September 7, 2009
The guy that did Hallelujah is a fantastic rock guitarist and, recognising that the world was Halellujah'd out, did a rock version, more along the lines of Hendrix' Star Spangled Banner than anything I'd ever heard before. It was _awesome_ (literally awe inspiring).He was so into it he had no recollection later of what he'd done or how he'd performed, but to the audience it had as much power and feeling as the 'real thing'.
Sadly, there's no recording of it in any form. I've asked him a few times if he could do it again so it could be recorded, but he says he doesn't even want to try because it was just of the moment and he didn't think he could do it again
Was that the "'Ay for 'Orses" thing? I still know most of it, and never knew where it came from
I think that simple rubber-stamping would happen in any situation where the input was 'good enough' most of the time. And so the Bad Things and hallucinations would still get through
A lot of 80's and 90's bands come through the 200-500 cap venues where I mostly work. People like Midge Ure, Nik Kershaw. They're still happily performing and touring despite (as far as I know) not being in Billboard top 100 for some time (tm)
So the fact of having been super-famous once and then not again is probably disappointing but not crushing, and no reason for other people not to try for the 15 minutes of fame
Now, it's easier to find that there's lots of things happening across the entire world, so it's more likely to feel that 'everything's turning to shit.'
I learned to use a normal linear slide rule at school, but every time I look at this I have to read the manual to sort out how to use it. I'd like to fix it in my head so I could whip it out at work when calculations are needed. Just for geek points
My rate is around 50% good, 50% I wish I hadn't hired.
Anyone else want to fess up?
Trying to compare good query plans with bad ones, and then work out what changes we need to make to the slow queries is ... interesting.
I realised most of my motivation problems were depression-related, and getting treatment for that made it possible for me to get back to work on this project
Vanity Fair by Thackeray
Mr Johnson by Joyce Cary
Lavengro and Romany Rye by George Borrow
The Descent of Woman by Elaine Morgan
Fluid Concepts and Creative Analogies by Douglas Hofstadter et al.
Identity Crisis by Ben Elton
There's a building somewhere with the digits of pi painted on a ceiling. I presume it celebrates someone (maybe 18th Century) who calculated N digits. One of the numbers is painted larger and a different colour because it marks where the person first went wrong in the calculation
The .deb of the stand-alone package disappeared, so it seemed we were stuck with the pain of the browser-based stuff. Then I remembered archive.org and found the .deb. If anyone else is in a similar situation, it's at https://web.archive.org/web/20221130115842/https://packages.... Thanks, archive.org
He was one of the main reasons I got into electronics and then programming
My daughter, doing a journalism course assignment, once asked Maddy Prior of Steeleye Span (not a _huge_ artist, but reasonably well known towards the end of last century) about this. Maddy's comment was basically the same. She'd rather you bought something legally, but if it's not available (some of their back catalogue had disappeared) then Maddy thought it was fine to 'pirate' it.
My first thought when I started reading TFA was that the list of catastrophes to consider would be biased because more recent events have better records. Maybe that's why the author decided on the 1500 cut off?