1,417 karma · joined February 24, 2016
But for me, it's not really about Blockbuster. It's about the format of home video. All the ritual, the excitement surrounding a new release that everyone wanted, sitting down to watch it together. It's about the object of video, the thing you can hold, and is similar to why I like to collect vinyl. I like the artifact in and of itself, along with what's encoded on it.
That was maybe more glib than it should have been, and I am sympathetic to the desire to figure out who you are absent many of the normal meaning-making centers people used to have. Without that, there is only the identity supermarket. What's more, trauma-as-spectrum isn't the worst way to think about the aches of being a person. Maybe you weren't beaten as a child, maybe you didn't flee an invading army, but the pain and sadness lives on inside you nonetheless.
The darker side of it is that rolling around on the ground holding your tummy and crying is an efficient attention-getter.
So there's nuance. I think it's a serious idea, with serious consequences, and too many very unserious people have glommed onto it.
One obstacle you have to overcome is that there has to be an investment that is risked by the players. There's not much of a cost to gank someone usually, or it's simply not allowed at all except in a controlled way. One thing that forces people into social cooperation is to protect against the potential for loss. As I understand it, confrontations with other players in EVE Online are dangerous because of that investment of time and/or money. That's part of what makes roguelikes and battle royales so compelling. That said, you have to balance it against being appealing enough to more casual players--how do you encourage investment without making it a boring grind or too expensive?
It's SUCH a good game as it is. I think it could only improve with the addition of creative PvP modes.
Questioning the moral standing of those who would criticize the dynamic itself isn't useful or worthwhile. It conflates interpersonal confrontation (useful, good, corrective, it's how we build each other up) with a zillion passersby hurling invective at a guy who, in this case, found it so troubling to have a mass of people condemn him on a moral spectrum that is very dear to him that he ended up suicidal.
There's no leaving Twitter, in my opinion. Its the only game in town. That said, I sincerely hope there is a fracture here. An ecosystem with many smaller platforms seems far healthier to me.
I can't stand the man, and I dislike the idea of him owning Twitter. Who knows what's going to happen, whether he'll succeed or not, Maybe he'll put his money where his mouth is re censorship, I don't know, but that there will be an ideological changing of the guard is inevitable, imo. What then? Do we really want these platforms to have so much unaccountable control over the discourse?
I'm not saying this is fake, especially since it wouldn't really matter either way, but it's interesting to think about. I remember reading something about people who fake advice column letters. There's a real art to the best ones.
I've thought about that incident a lot. I too am disgusted by how society is organized. When confronted by my own relative wealth and privilege, I felt gross. But in that exact moment, you can't re-engineer the economy. You have to choose whether or not to be generous while respecting that person's dignity. I can only speak for myself here, but too often I'd rather just not encounter hardship in others at all. This is a bad impulse. The world is a terrible broken place, and it's right to be generous in whatever way someone will accept in that moment.
This reasoning is often used to justify poverty wage jobs--people want to work, so let them--and that's definitely not my take. I think work can impart dignity, there's a certain amount of shitty work that can't be avoided, but you can't feed your children with dignity, so let's pay people a lot more.
> Calls for good faith communication are understood at best as naive requests to calm the outrage and conflict that now runs rife in political discourse. Both ends of the political spectrum (the far left and the far right) express this view. Both sides believe that “the other side” simply can’t be trusted and therefore cannot be engaged in good faith.
This phenomenon exists, it permeates the spectrum. However, the use of the word "far" here sticks in my craw. It implies, without outright suggesting, that the center is the reasonable referee, rather than existing on a spectrum that has a history. What is center today may very well have been "far left" or "far right" 40 years ago, and its relative distance from other ideologies is irrelevant when it comes to objectivity. You have a home base. It's not just "Liberalism". No one is a contentless unit of democratic formalism.
> Given well-documented advances in the field of information warfare, there should be no illusion: today’s culture war cannot be won by any side. Mutually assured destruction is now the name of the wargame.[6] The saturation of bad faith communication throughout culture is steadily increasing, like a kind of dangerous background radiation emitted from scientifically engineered memetic weaponry. Public political discourse is quickly becoming a toxic warzone, leaching externalities into families, friendships, and identity structures.
"Culture war" is a slur for a particular kind of vitriolic discourse, but it is in fact a war over what we consider the common good. In other words--politics. This is the meat and potatoes of democracy. Liberalism says the state shouldn't have an opinion on it. The "common good" is what we all agree it is. People will disagree. So then it stands to reason that whoever has the most influence (defined as broadly as you'd like) gets to decide what the common good is. This war has high stakes.
This also smuggles in the notion that so-called information warfare has in fact warped political outcomes, which is far from being well-documented. The cause->effect sequence is not established. But let's say it is--who are the actors, and why are they doing it? Those motivations have political causes. What are they? Or is misinformation just metastasized communication, chaotic irruptions that happens over a long enough time scale?
Overall, this presents a primarily formal and cultural diagnosis of political chaos and fracture as the root cause, couched in objective language, when that is itself an ideological position. There are other analyses. One might argue that the fractured discourse is an effect, not a cause, but it's taken for granted that _formal_ misbehavior is the cause of the fractious political atmosphere, rather than... well, anything else, I guess. Substitute your favorite diagnosis here.
It's fine to have this analysis. It's not fine to pretend it's anything but an ideological, non-objective analysis. I get the impulse to try to rise above the fray. Politics is ugly, but it's ugly because the stakes are so high. Getting lost in the weeds of formal objections isn't going to fix anything. There's more going on than just procedural fuck ups.
Just my take. I might be imbuing this article with the sins of similar pieces it doesn't commit (although I don't think so), but I think this tendency is common enough that it's worth bringing up. It happens fairly often on HN. Nerds love rules. I'm no exception.
Also, the fact that as far as I know Trump still hasn't posted anything there is a major unforced error. If nothing else it was a way to get a direct line to him post Twitter ban.