HNHacker News
TopNewBestAskShowJobs

prismatic

15,146 karma · joined June 24, 2015

"They present us with a variety of brilliant hues, often of the greatest purity, and combined in striking contrast and conspicuous patterns. Their use depends upon their boldness and visibility, not on the presence of any one color. Hence we find among these groups some of the most exquisitely-colored objects in nature... Conspicuousness being useful, every variation tending to brighter and purer colors was selected."
submissionscomments

Do You Know What I Know?

newyorker.com·2 pts·prismatic·
0

If the Gumshoe Fits: The Thomas Pynchon Experience

bookforum.com·48 pts·prismatic·
6

The Shadow of Desire: Painting the Origins of Art (Ca. 1625–1850)

publicdomainreview.org·2 pts·prismatic·
0

What Happens to Artists' Studios After They Die?

nytimes.com·41 pts·prismatic·
17

Picturing a Chinatown Family Across Twenty-Two Years

newyorker.com·1 pts·prismatic·
0

Redford and Newman: A Screen Partnership That Defined an Era

nytimes.com·2 pts·prismatic·
1

The cost of performing childhood for your parent's art

nytimes.com·1 pts·prismatic·
1

The Cat's Maew: Thai Treatise on Auspicious Felines (19th Century)

publicdomainreview.org·2 pts·prismatic·
0

Ivan Aivazovsky's Miniature Seascapes (ca. 1887)

publicdomainreview.org·3 pts·prismatic·
0

The Color of the Future: A history of blue

hopefulmons.com·130 pts·prismatic·
32

A24's Empire of Auteurs

newyorker.com·75 pts·prismatic·
42

The Pleasure of Patterns in Art

thereader.mitpress.mit.edu·68 pts·prismatic·
11

For Iris Murdoch, morality is about love, not duties and rules

aeon.co·49 pts·prismatic·
55

Flowers of Fealty: Commemoration of the Christening of Elisabeth of Hesse (1598)

publicdomainreview.org·10 pts·prismatic·
0

Reflections on Soviet Amateur Photography

publicbooks.org·45 pts·prismatic·
8

Watching the World in a Dark Room: The Early Modern Camera Obscura

publicdomainreview.org·14 pts·prismatic·
5

Fakes, Nazis, and Fake Nazis

airmail.news·27 pts·prismatic·
3

The Geological Sublime

harpers.org·75 pts·prismatic·
30

When photography was born, fascination, obsession, and danger followed

washingtonpost.com·66 pts·prismatic·
40

Remembrance of Scents Past

newyorker.com·19 pts·prismatic·
1

The Language of Form: Lothar Schreyer's Kreuzigung (1920)

publicdomainreview.org·2 pts·prismatic·
0

Edward Burra's tour of the 20th century

newstatesman.com·9 pts·prismatic·
0

Encounters with Reality on Christine Rosen's the Extinction of Experience

thepointmag.com·8 pts·prismatic·
6

Could the Semicolon Die Out?

smithsonianmag.com·4 pts·prismatic·
1

The Renegade Richard Foreman

yalereview.org·16 pts·prismatic·
7

Drawing on Tradition: Elena Izcue's Peruvian Art in the School

publicdomainreview.org·27 pts·prismatic·
2

Do You See Craters or Bumps on the Moon's Surface?

nytimes.com·2 pts·prismatic·
0

How Should We Think About the Renaissance?

chronicle.com·18 pts·prismatic·
22

Is “The Phoenician Scheme” Wes Anderson's Most Emotional Film?

newyorker.com·87 pts·prismatic·
124

Medieval Fogge: In Defence of the Middle Ages

historytoday.com·9 pts·prismatic·
5
← PreviousPage 3 of 34Next →