976 karma · joined October 6, 2013
I have to say that listening to Shatner's description made me more intrigued than the other stories I've heard from the recent visitors. His emotion, the voice, the particular idea he is trying to express of that change in perspective really captured the intensity of the experience in a way that made me want to know it as well.
Interested in seeing how the separate app plays out. I agree with the limitations of the current Music model, but wondering about support for my existing library (especially iTunes Match content). Feels especially odd on mobile to have one more player.
I am not a huge Inception fan, but I do think the cut at the end is an important part of the movie and a good example of effective ambiguity. It might scratch an itch to show the top falling of hold longer (to confirm he is in a dream), but what value comes from that resolution? Ending the film before the answer allows us to think about what we've seen earlier to try and answer it for ourselves. Even though the movie is over, the audience is left with a part to play as they leave the theater.
I still have a deep fondness for laser printers and I’ve never owned anything else. As the article notes, they ‘just work’, and the results allow near-perfect reproduction really quickly.
I get the complaints, but so much of these actions feel like they don’t start with an understanding of the benefits large can bring.
Personally, I like to use the map to occasionally update my mental map, not for turn by turn spoon-feeding. Apple’s app makes this much more convenient.
Additionally, bookmarking in Google Maps remains primitive and hard to manage. Apple introduced collections over the last few years which are great.
What I miss the most about Google Maps is the photos, which are generally better than Yelp (and don’t open a new app).
Apple has work to do outside of US, but their maps make steady progress year after year, and if the US indicate where rest of the world is headed, things will get better.
Personally, I'll continue to defend the US model. Speech should have no legal limits, but that doesn't meant it doesn't have civic consequences. Those who disagree are free to do so publicly, repeatedly and loudly.
And if you look at what is happening on Bandcamp or Soundcloud or YouTube or wherever else young people are trying new things you see a tremendous heterogeneity of inspiration and not a lot of concern for where the sound fits in.
The parallel trend of course is the power migration from labels and producers to artists, and these are intrinsically related. The artist wants to experiment and find their own path, the label is always trying to replicate success (to radically oversimplify on both counts). Labels have a role to play in supporting artists, but the power dynamic is different when the artist brings the audience they've been building independently for years.
The direct connection between artist and audience shows how much more open to new ideas we can all be. It is the same receptivity that powered the integration Dylan describes taking place in the 1950s, and I think its great.
Wonderful that she could live such a long and impactful life.