1,836 karma · joined March 8, 2011
I'm just curious as to what that might look like. We've already seen plenty of examples as to what folks will do when an online option becomes sour/untenable...new ones arrive. Sometimes they look like old options repackaged. Sometimes they are radically new.
Someone else mentioned the "reverse-takeover of Google by DoubleClick is the Fall" and I find that spot on.
The Dionysian appetites of adtech will be its own downfall.
That would be a major step forward, akin to old Bandcamp.
But that isn't YT's model.
They do.
Probably a combination of misgivings:
1. Google cant keep a product/service alive worth a damn, or ones that do get changed to be piss eventually
2. Paying other content providers for content they provide feels different than paying Youtube for mostly content they carry that was pirated/unlicensed anyway (e.g. full disclosure,I mostly use it to watch jazz and funk bootleg concerts or old 80s music videos or other ephemera YT really had damn all to do with and likely dont monetize for the actual creators worth a damn).
3. Somewhere between the two is the fact that for some licensed materials, you still have the region-constraint. If Yt Premium covered truly global reach, it might be more tantalizing, but as it stands...meh.
It's dryshite ROI.
TBH, most tech shouldnt be traded at tech multiples of valuations.
(I mean, it would likely also nuke the PE domain, but I consider that a feature not a bug).
PE is a pox that focuses on short-term, debt-riddled 3 card monty games, and should be annihilated. It's like the fecal byproduct of something Milken and Gekko would sire.
Fight me.
Guys like him make this kind of work worth it.
Something (someone) had to pay for it.
Then there are all the non-western scale musicians who learn other systems, or use some variation of solfège to explain musical ideas.
There are some deep ironies in this case.