For example, the English word power translates both pouvier and puissance from French, an imbalance which forces translators into circumlocutions that I lack the patience to attempt to explain on my tablet [1]. Which is to say, they are decidedly not matter-of-fact.
Its the presence of these ordinary words that really are problematic to translate that feeds my reaction here. By singling out highly-specified words that are unlikely to exist but straightforward to express, the real heart of the translation issue is actually obscured. What's worse is that this misleading and cursory method of explanation has become a sin twice over by embedding itself as a worn-out pop-science cliche. By now you may have surmised that I didn't sleep too much last night.
Having got that off my chest, I will now stop soapboxing all over this really quite fascinating article.
[1] this distinction has been heavily discussed however, as it's important in the work of several famous theorists. a googling should yield explanations.
In written Mandarin, for example, there are only pictographic characters. Each single character translates to an English word or phrase, but which it translates to is completely arbitrary. It is extremely anglocentric to say "English doesn't have a word" for a given Chinese character, if in fact English has a phrase for it. The Chinese language has no obligation to translate each character succinctly into a single English word.
In fact, one of the greatest strengths of pictographic languages is the high degree of information density per character. More often than not, a pictograph will translate to an English phrase, not an English word. For native Chinese readers, inference comes naturally, as each character is built out of a set of "radicals," each representing a narrowly defined idea, that act as the primitive building blocks to convey a complex combination of their ideas within one "character."
It's the ideas that matter.
In modern written mandarin, each character corresponds to a spoken syllable, which roughly corresponds to a morpheme, although sometimes it seems that without the writing system to differentiate the vast number of homophones in the language, the morpheme-syllable correspondence would get murky very fast. Which is indeed a manifestly logographic element of the writing system
Isn't that still the case?
Only a small percentage of Chinese characters are pictographs. Over 95% are compounds, with the first part suggesting the broad category of meaning and the second part suggesting the pronunciation.
> Each single character translates to an English word or phrase
Each single character represents one Mandarin syllable (with a very small number of exceptions, like 儿), which may or may not be its own word. Hence each character may or may not translate into an English word or phrase.
Take wabi sabi for instance. The fact that they have a word for that is not a coincidence, it's a byproduct of their culture: https://www.youtube.com/watch?v=EBUTQkaSSTY.