I read through the article and I am feeling lost as to why they couldn't actually retool their production pipeline for 4K native. 40 cameras sure does sound like a lot, but I am watching guys on youtube shoot 4x the pixels and manage their workflows around the massive volumes of data (apparently) without issues.

Is it the broadcast equipment itself blocking the production pipeline from an upgrade? I would be very interested to hear from a broadcast industry pro where the actual technical constraint is (bandwidth, storage, compute, hardware, etc.). I feel like financing this wouldn't be a problem for the NFL+Fox.