https://i.pinimg.com/originals/97/1e/31/971e311093599ce52b99...
https://i.pinimg.com/originals/97/1e/31/971e311093599ce52b99...
More broadly, my experience is just that I can accept higher contrasts in dark-on-light than the reverse. TextEdit light is 0 on 255, and I find it slightly harsh in some lighting. TextEdit dark is only 255 on 30, and even that's enough to be consistently annoying. Sublime's ~248 on ~40 is way more usable for me.
https://jsfiddle.net/c06fkq2a/
Use white for the key-light shadow, and a black for the ambient shadow.Now that I see what you mean, this is definitely better - the grey-on-black windowing of the original link is far less clear than backlighting each pane.
!makes blue readble on black background
XTerm.VT100.color4: CornflowerBlue
It made my ... friends life a lot betterA while back, I remember people were writing subtle watermarks that took advantage of that effect. Straight-on everything looked normal. On a wide enough angle, the logo was pretty unmistakable.
They only do this because the iOS UI uses darkening to indicate depth, with no alternatives for dark mode - it has to be something other than pure black or there's nothing to darken. It's a band-aid.