As an aside, it is my understanding that there is no measure of something like consonance/dissonance in complex musical forms. There are models of dissonance in 2 and 3 note chords but even these have gaps. I'm suggesting that the research on "what sounds good to people" is surprisingly immature in contemporary science. This is surprising because that question played a major role in the history of science. For instance, many of the very first experiments conducted at the Royal Society (c1660s) investigated harmony — and arguably the first scientific experiment was designed to evaluate a mathematical model of music (Viz, the 5th century BC Pythagoreans demonstrating their integer ratio theory of harmony by casting bronze chimes at those ratios).
So, I'm surprised that there isn't more interest today. That said, there was a recent breakthrough in the science of harmony: an integrated model of vertical and horizontal harmony. https://spj.sciencemag.org/journals/research/2019/2369041/#:....