> Honestly, though, the quality of their codecs suck. The color information just isn't there. You can watch Netflix and immediately tell which things were shot on RED, because they'll be grainy (which they think is a feature) and will lack nuanced color.

This is all just false. Their codes allow you to record actual RAW data from the sensor in 16 bits. All the color nuance is there.

RED cameras are crazy expensive and are used by Hollywood, Netflix, and thousands of professional studios. They are the golden standard, along with Arri cameras.