The author also throws around some percentages of the growth of hig end payers on Patreon, but no hard numbers. Did it increase by 5 people? Are high paying patrons growing faster than low paying?
The author also throws around some percentages of the growth of hig end payers on Patreon, but no hard numbers. Did it increase by 5 people? Are high paying patrons growing faster than low paying?
I suspect the top tiers at Patreon must work the same, there's some benefit there but people are doing it because they are a megafan and want to show it. I'd be intested in how many of them are living in a false belief / parasocial relationship though.
Parasocial relationships are scary though. A few times I almost slipped into one. (Nowadays I intentionally stop watching streamers I feel I am getting too close to.)
I know parasocial is the popular thing right now, but I think it's just a more general 'microtransaction whale factor' that encompasses collectible card games, gachas, and stream donations. I leave realmoney gambling out of that because I think the chance to get actual money back makes the rationalization different, nobody who is whaling thinks they will get a dime back.
I wanna read an article about the $100/month patreon tiers and the people who pay for them.
This is probably not representative over the whole population, but, I have a Patreon. I had a few people pay me $50/month (where the base tier is $5/month). The $50/month tier has no extra benefits besides a vanity Discord role. So why did they do it? They genuinely want to support whatever I'm doing. That's it.
Prior to the Asahi stuff I had that more spread out across some interesting and/or useful things like Zig.
Sci-fi publications use it as well for monthly subscriptions - the general math holds up that some people spend $5/$10 per thing totalling up to $100/mo (or some variation). But I don't think that supports what TFA is suggesting $100/thing/mo), that feels like a lot. They might believe the Patreon user only supports one thing/mo, but I'm not sure that's true - people have varied interests based on my travels.
Another big advantage, especially in audio / video formats, is that you can say "support me on Patreon" and people will know what you're talking about, vs. needing to spell out a URL for people.
I’ve seen people spontaneously put $100 toward creators they really appreciate, but those are rare. $100 per month on a recurring basis or a constant influx of one-off $100 donations is a much higher bar. You would need a relatively massive audience to convert enough people interested in spending $1K/year on something.