Comment by gamblor956 | Hacker News Reader

Comment by gamblor956 | Hacker News Reader

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I know a few dozen struggling screenwriters who are trying to get (a) their screenplays produced or (b) contracted to write scripts. Note that these are all female screenwriters with an actual track record in industry (in this case, episodic broadcast TV).

It really boils down to a few gatekeepers (mostly old white guys) giving the screenwriting jobs to the same idiots over and over again. For example, the guys who wrote Morbius have never written a successful film that made money back at the box office but already have 1 new screenplay in production and have been contracted to write several more; meanwhile the screenwriter of Crazy Rich Asians (which not only outgrossed Morbius but nearly grossed as much as Morbius' screenwriters' other films combined) has only been hired for a single film (Raya and the Last Dragon) since.

? Wikipedia says the writer you are referring to as disadvantaged is working on a project as a writer, producer and director and has some pretty heavy backing

No, she might be working as a director on a film that has yet to be made; she is not the writer on that film. And she is not an "executive producer," so the title of "producer" is meaningless (it doesn't actually entail any responsibilities and is generally an honorific).

And the point is that while she had a major blockbuster success, this will only be her second film since that success; in that time, the losers behind Morbius will have worked on 4 films.

The point you are trying to make is starting to require a lot of caveats. She might be director not a writer, she's a producer not an executive producer, etc.

Also, Lim lists herself as a director of the film in her Twitter bio[0], so it seems like a lot more than a maybe at this point.

[0]: https://twitter.com/adeleblim?lang=en

Separate from all that, I don't understand your larger point about Lim. She went from Crazy Rich Asians which grossed over 200 million, and then went directly to work on Raya, which grossed over 100 million, and now is directing and producing her own movie with hand chosen writing talent. Where exactly is she struggling? And where are writers being forced on her?

This is the Wikipedia article for the film: https://en.wikipedia.org/wiki/Untitled_Adele_Lim_film

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