> Does that answer your question?

Ha! Yeah. At least you're consistent :-)

Lynch fills his works with characters and scenes that are—at best—plot-adjacent, whimsical/incongruous/uncanny, and full of often-unexplained and apparently-metaphysical mystery or magic. He's as likely to let mood or theme drive the content of and editorial-decision-to-include a scene or a shot or an entire character(!), as plot. It makes sense you'd dislike his stuff if you don't like the Bombadil section of LOTR.

(this is not intended as some kind of judgement, to be clear, I was just curious if works with similar qualities had the same effect for you, or it was something specific to that kind of element being in LOTR in particular, maybe because of the context or something)