That’s a fascinating perspective. Can I ask how this technology differed from 5.1 surround? I assume you must have had many more than 5 microphones?
The goal was ultimately to stream extremely high-quality concert audio to the home: people felt that stereo and even 5.1 was too restrictive. This was in the early days when everyone was trying to find killer apps for high-bandwidth broadband connections, so sure, why not.
ETA-- Another memorable experience in this project was playing the Woodstock tapes for Jimmy Buffett when he flew his seaplane in to check out the technology. We were very careful to point out that you could hear the drum circle :)
And an article in the Economist: https://archive.ph/iHuGO