It's not just an assumption, they are open about it. It's not a coincidence that kpop idol are forbidden from dating (they enforce it very strongly btw) and that they organize events were fans can pay in exchange to sit down with them and hold their hand for a few minutes.
Their business model has always been that they prefer to charge a single super fan 900$ for a limited edition album than sell a 10$ albums to 90 people.
Oof, that's very sad, even more so because it's a lifetime achievement for the fan.
I disagree, also a big fan of kpop and 90s/2000's pop groups and KPOP is just another iteration. All that intimacy on boybands was there back then in magazines, hotlines, tv shows, etc etc, but we probably were not teenage girls during that time and didn't participate.
Kpop groups routinely hire many of the same producers that were popular in the 2000s boy groups into kpop now. One that really stands out is Teddy Riley and other NJS producers from the actual 90s here.. A lot of them migrated over there where New Jack swing continues even to this day.
You want diversity in picture books? Mangas have been doing it for more than 40 years. Some of their more successful authors are women.
A genuinely high quality anime takes time and money to make. Otaku fan service can be churned out along with loads of cheap knick knacks. There’s also the whole gacha game industry which ties into those series.
K-pop is similar. People obsess over a band and not only buy an album, they buy an overpriced can of coffee with a picture of their favorite star, a shirt, a bracelet, order a bag of cookies they shilled on their Instagram, and so on.
A school aged boy has to beg his parents to buy him a tshirt with an anime he likes. An adult Fate or Love Live fan has no problem throwing down $500 for a new figure or $80 for a “limited edition” Bangladesh-made bag. They’ll happily do it monthly.
This difference might change how intimately an artist is manufactured and presented.