Digital data tends to go from "fine" to "gone" with no middle ground.
the point is exactly that: if you have to rely on very complex setups to keep the data fresh, it means that the data is not safe.
can you imagine an hard disk surviving from the ancient Egypt to us?
Another question I wonder about: How hard is noticing the failures?
Digital data requires some maintenance, but with cloud services that's offloaded to service providers. I haven't logged in into Glacier or the related AWS account in years, and yet it still backups my hdd regularly. Now, if a comet strikes the Earth and destroys all the civilization, yes, paper books will be a lot more useful than HDDs or dead cloud servers, but in more realistic scenarios data copies give you more flexibility. Just look at Ukraine, they moved all their official digital archives out of the country at the very beginning of the war. You couldn't ever pull it off with paper archives, it would take months and cost a fortune.
Same is true with raw digital representations. Take on the other hand a jpeg which is a bunch of coefficients for sine waves, where every tiny change ripples out to ruin the entire thing. Even the basic 3 byte RGB per pixel representation is already compressed with only 8 bits being used to save 256 values. Flip the MSB and your value is already completely screwed.
An equal encoding to real paper would be using 256 bits to represent each colour, summing up the bits to get integer values. That way you can flip 20 bits and you'll still easily tell what the colour was, without any extra processing.
This of course comes at an exponential increase in storage requirements, plus we can be smarter than just using brute force. Taking a compressed representation and then adding on a few layers of error correction would likely be far more reliable while preserving most of the spatial efficiency. Of course then you need the software for unpacking and correcting to survive as well...
Big storage arrays come with health metrics and auto-rebalancing around broken drives.
The idea that digital storage media degrades without "opportunity for someone to notice" is outright false.
it depends.
once a broken copy is out for whatever reason, you have a broken copy.
also most of the formats used today to archive digital media are lossy (mpeg4, h264, jpeg etc)
> but it generally costs a lot less than storing physical books
if we discount the electric bill.
> Both of these problem are relatively easy to solve
not really.
I used to own a huge collection of DVDs
they're as digital data as it gets, but no one owns a DVD player nowadays and many of them degraded to the point that even an high quality reader cannot read them properly.
problem is you don't get a blurry image like with analog media, you just get broken and/or unreadable data, so basically that data is lost forever.
"Lossy" doesn't mean it wears out. If you are a digital media librarian, you will use MPEG and put it in a container with error-correction codes and store multiple copies.
"Lossy" refers to the encoding between the full data you got from your scanner/digital encoder and the final file. It doesn't mean that meaningful information is lost from the original analog artifact and it doesn't mean it's not great for long-term preservation.
However, this might be a non-issue if we find ways to emulate the functionality of those devices authentically and integrate it into ever-evolving hardware, even if it turns out to be drastically different from what it was before. It is important to consider that the difference in appearance of even a single character between the real device and its emulation could significantly change a book in form and even in content.