> A visitor to the Louvre in Paris viewed the renowned Mona Lisa and stated loudly: "That painting is nothing special. I am unimpressed." A curator who was standing nearby said: "Sir, the painting is not on trial. You are."
I wonder, is the quote trying to say something about pretentious audiences, or about pretentious curators?
The Mona Lisa is famous in no small part because it was stolen. Its fame gave it appeal, as did its out-of-copyright status that allowed so many derivatives. Now, I'm not saying "it's terrible", just "it's overrated" and "standards have risen".
People speak of Lisa del Giocondo's "enigmatic expression": I see simply a neutral, resting face, there is no enigma for me.
The composition? No, the background has some of the flaws used today to identify AI generated images: Look at the waterline on the right, just below her eye-line, that's at an angle, and contradicts the elements on the other side of her head.
This isn't to diss Leonardo, he and his peers had to invent a lot from first principles, and that's much more difficult than learning the same techniques from others; but at the same time, the fact that we don't need to invent it all from scratch and we can learn from others, means that it's much easier to get to a higher quality standard today — and the corollary, if you want to be seen as a genius on the level of Leonardo, the bar is much higher than "do what Leonardo did with the Mona Lisa".
I prefer the version in Prado, Madrid: https://commons.wikimedia.org/wiki/File:Gioconda_(copia_del_...
(Now one I will say "it's terrible", to the horror of those that love it, is Der Kuss by Klimt: the woman's head is at such an angle it seems to have been disconnected from her body, rotated 90°, and reattached at the ear).