In his defense (!?), most of what's churned out by the streaming platforms, hollywood, and the music industry, is also not very bothered by lack of meaning.
The "Pixar apparatus" is definitely increasingly consumed by audience demand, but they're at a minimum in a transitional phase: something like Seeing Red would never get workshopped out of committees.
Youtube and other social media (emphasis on media) is ground zero for the decay of meaning into intensity; the ultimate incestuous product of auto-simulacra.
I think YouTube was so exciting initially because it was so authentic, and now it’s back to big studios.
You could argue the movie being made outside of the traditional studio system is case and point of this phenomenon.