At the same time, they can also choose to deliver in a binary medium like a game or proprietary WASM container. Or even scans of their handwritings.
Text is now zero cost; ideas may need to be carried along in frictive streams.
At the same time, they can also choose to deliver in a binary medium like a game or proprietary WASM container. Or even scans of their handwritings.
Text is now zero cost; ideas may need to be carried along in frictive streams.
Citation needed. Humans have created for as long as they could benefit from their creativity (be it reputation, patronage, or capitalism when combined with IP laws). If that way is no more, I would not be so sure.
Writing “for the drawer” is generally a thing that happens if one is not yet satisfied or not confident about the quality of own output, or if one is self-censoring, or if one is expecting someone to read it eventually (communication can happen over time and space). I don’t think this is worth in-depth look, as art that was not seen by others for all intents and purposes does not exist.
(All art is communication; if you shouted into the void and made sure no one hears it, did it really take place?)
> void
Art as therapy, communicating with oneself. It's a specific case, though.
Writing in a journal is another example.
Interested in hearing your perspective on these.
> new data
We'll likely keep seeing it, up until the inflection point between "machines are for people" and "people are for machines." Along a spectrum, the latter being complete cybernetic mechanization of a life.
At the same time, people do not always calculate world states ahead of time; sometimes, it's just to do the thing.