Comment by waterlesscloud | Hacker News Reader

Comment by waterlesscloud | Hacker News Reader

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"It is to impose yourself on places that in all noneconomic ways would be better, realer, without you."

This is one of those sentences that sounds insightful, but in reality is pretty surprisingly shallow.

The entire problem underlying such a viewpoint is a focus on yourself and not the place. On your experience of the experience and not the experience itself.

If you stand at the edge of the Grand Canyon and all you can think about is how it's spoiled by the presence of tour buses plowing through for half hour visits, you're missing the significant part of the experience. Hell, just one layer of thought deeper and you're thinking about the slow-moving timescale of the canyon vs the almost instantaneous visits of the tourists.

The mass tourists are a source of perspective, and to treat them as some sort of spoiler of the experience is in a way a denial of reality. In very real ways, they're an essential part of the experience.

What is the Mona Lisa without an adoring (but very transitory) throng?

You make a great point, yet I'm still able to identify with what the author was saying.

I oddly think about this a lot without really recognizing it. It may sound silly, but to me what makes the difference is the event itself. Being a tourist at a museum, natural landmark and so can feel so much different than being a tourist at a local watering hole. Taking a natural landmark as an example, I view it as if the locals can't claim it as their own and it's meant to be shared and interpreted by the world. Museums are practically enablers for tourism so locals can't be upset about that.

But, when it comes to a local food or drink joint, tucked away in a neighborhood of sub-cultures, I can't help but feel as if I'm intruding. To focus on the experience at a place known as being "best authentic food X in city Y" or "great neighborhood bar, one of the best in city Y" is to focus on the brick and mortar, the customers, the employees. Given just the right media attention or online review a place can become a tourist petri dish and the atmosphere can be entirely thrown off. Although, there sits the problem as without at least some attention I wouldn't have known about it.

That probably comes across as selfish, but it's not about me. There's many cases where a place becomes successful, patronage changes, ownership ends up changing hands a year or two later, and the place isn't what it used to be. I think there is something to be said for protecting local sub-cultures which is what I viewed the authors point to be.

I don't think you've addressed the sort of nearly completely manufactured experience that really qualifies as mass tourism.

You know, all the little destinations that are really well known for their fudge, or Disney whatever.

Or in the story, where the experience differs from eating lobster only in that an unusually large number of people are also eating lobster in the vicinity.

Not every destination is a dead rock like the Grand Canyon. Tourists spoil places with living cultures in all kinds of ways.

>What is the Mona Lisa without an adoring (but very transitory) throng?

An even greater work of art.

Right. Living cultures are alive, pretty much by definition. Which means they change, they react, they interact. Indeed, that's how those cultures formed in the first place.

No culture has ever formed in a vacuum.

Instead of some imaginary culture, one that you somehow think would be "more real" (a total fallacy on several levels) without tourists, you have a real, live, thriving culture in front of you, around you. In fact, as a mass tourist, you're a part of it.

The more insightful take is not to bemoan that the culture isn't some platonic ideal of itself locked in amber, but experience it for what it is- living, breathing, changing around you. Because of you.

Paris wouldn't be Paris without centuries of travelers and visitors behind it.

You're a part of that evolution, see that for what it is and enjoy it.

>The more insightful take is not to bemoan that the culture isn't some platonic ideal of itself locked in amber, but experience it for what it is- living, breathing, changing around you. Because of you.

Only lots of cultures just die under tourism, and just remain as disneyland-like versions of themselves.

You give the example of Paris, but Paris is a huge cosmopolitan city, and has been so for centuries. It's not the kind of place that can't withstand a tourist influx.

Being conscious of the experience of the experience is I think a central part of Postmodern expression. This is more a criticism of Postmodernity than DFW.

IMO reading about the experience of the experience is what makes his travel essays so interesting. See also: "A Supposedly Fun Thing I'll Never Do Again", and "Getting Away from Already Being Pretty Much Away from It All"

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