80

"The goal of minimalist art, or photography, is to convey a concept – or an idea – provoke an emotional response, or provide a unique visual experience. Compositional elements must be kept to a minimum, and the ones that are left should be essential for conveying the overall idea, or symbolism, of the photo."

My understanding was always that capital M Minimalism (which this article refers to) was about the objective exploration of form and material - ie specifically free of symbolism, representation and implied meaning

Lets not limit these to coders -- plenty of designers, writers, and others in industries that are seemingly far harder to survive in than this one rely on this site (and similar) too.

Still not sure if I agree with it but Lawrence Weiner has a great quote on Helvetica:

"[Helvetica] it’s one of the type faces that I absolutely detest. It’s totally authoritative. It in fact does not adapt itself to things and all information that comes out in Helvetica is saying exactly the same thing: this is cultural, this is intellectual, and this is intelligent. I’m rather afraid that words don’t start off being cultural, intellectual, or intelligent."

For more renaissance goodness check out this site on the Ghent Altarpiece - zooms so far in that you can see between the paint cracks:

http://closertovaneyck.kikirpa.be/#home/sub=altarpiece

It's a content factory - the term 'playbor' seems appropriate. Just glossy and pretty enough that it distracts people from the fact they're working for this centralized for-profit entity for free.

>Design wise it's ahead of its game, instead of another flat design website.

Huh - did we look at the same site? Just the same old minimal bootstrap3core aesthetic that's everywhere nowadays. Found it pleasant to use, though.

I saw this title and really hoped that it wouldn't be about this Katsu piece. For me it represents the worst of the intersection between art and tech, in that it isn't doing anything new or interesting in either fields, but riding solely off the fumes of 'daring' to combine the two.

I'd assume the audience of Silicon Valley Contemporary were savvy enough to see through galleries thin attempts to pander to them with stuff like this and "We accept bitcoin!" signs. I think SV is being looked at as a bit of a sitting duck due to the combo of huge amounts of money + generally small frame of reference when it comes to modern & contemporary art amongst its inhabitants (I think that's fair to say). It's the sort of situation art advisors dream about.

As a contemporary artist you've got to be increasingly sure that your work looks damn good in .jpg form

(see: markets current preoccupation with bold, flat abstract works)

Honest, naive question -- what makes human data worth so much? Is it speculation that it will be worth more in future that drives the feverish collection of it, or are there already concrete uses/buyers? It feels bigger and more urgent than to simply help brands sell their merchandise more effectively

While the site's down, here's all the RGB colors in one book:

http://i.imgur.com/kae66HY.jpg

('RGB Colorspace Atlas' by Tauba Auerbach)

Definitely felt my blood pressure rise as I read this. Good job!

In theory. In reality it's got a ton of cultural baggage.

I wonder if the market for 'dumbphones' will increase as/if this sort of thing becomes more common? Probably not, but it's fun to think about. I know Nokia are still making bare-bones, extra-long-life models aimed at developing countries (eg the 105, 220).

Man With A Movie Camera and Sans Soleil are two good ones in a similar vein (better, I think)

I'd recommend LocalBitcoins. Had a transaction completed within 15 minutes of my first visit. No hoops to jump through and there's a feedback and escrow system in place. Maybe a less lucrative option in the US where you've got more choice.

Critical reception is far from the strongest metric for seeing which artists are going to stick around. "Who's buying his work" is a better question to ask.