96 karma · joined May 21, 2019
Recovering web developer with a penchant for irony. Nothing I say is meant to offend you unless you're a blowhard.
We don't have control groups, they're found in virtually every complex organism on Earth, including (best we can tell) all humans, so we can't form a control group. We've only recently really started to notice, care, or study them, so we don't have strong historical data to compare against. We don't have many isolated populations (especially of large enough size) where microplastic bioaccumulation is the only major difference in how their lives have changed in biologically relevant ways over the decades, so we can't effectively isolate the effects of microplastics from other confounding factors.
So you have these things that basically became completely ubiquitous--an unavoidable fact of not just human life, but all complex life on Earth--before anyone realized, with several other major global factors shifting concurrently. The end result is that, by the tools and methods with which we perform science, it's nearly impossible to study their exact effects. Maybe they're a slow-burning apocalypse subtly disrupting the mechanisms of life at their most fundamental levels and only getting worse with time, or maybe they do nothing or next to nothing like having a glass of sherry with your Sunday brunch once a week, or maybe they're somewhere in that vast, murky expanse in between the two extremes. Hell, there might even be a net benefit somehow. We just plain don't know, and don't know how we could know, so speculation is just about all we've got at present, and without knowing it's really hard to say if the messaging and literature surrounding the subject is aggressively over-alarmist or recklessly under-alarmist. The best we've really got is the simple fact that we notice them now, and thus have the chance to pay close attention, part of which is regularly taking basic measurements like these to try and correlate trends.
About all we do know is that they weren't here before, and "before" encompasses 99.9999% of all life that we know to have ever existed, so it's definitely weird and maybe probably bad.
There's definitely criticism to be had with the broader state of public health and science communication that harm, or at least the understanding that "we have literally no idea what the broader implications of this are but they're maybe probably not good", are considered to be implicit, either due to fallacious appeal to nature or the simple fact that alarmist headlines catch more attention, generating more traffic and revenue, and thus acceptance rates and grant money downstream. Which is, I think, the real core of the issue.
I work in a public-facing environment. I already hear every single one of these songs, none of which I liked to begin with, to a sickening extent over the radio. Leave me to my esoteric tastes and take the chart-toppers elsewhere.
This is an issue I've had across the board, though, be it Spotify, YT Music, heavily curated Pandora stations, or any other streaming service I've tried; nowadays I strongly prefer simply listening to my local library (which I've played to death, but at least it's to my own preferences) instead.
Show me a platform that stays in its damn lane where I can listen to what I want to, and I'll gladly hand over my cash; I'm not gonna do that to be made to listen to the same junk that scored me making that cash to begin with.
...or so I'd like to say, practically speaking the minimal prep work of "grease a wadge of paper towel and spark it" is more realistic for my degree of laziness.
Definitely want to find a similarly cheap source of actual pure charcoal, though.
Opposable thumbs are not a guarantee. Nor are tree-dwelling lifeforms, nor trees, nor thumbs, nor digits, nor four limbs. For all we know, intelligent life elsewhere might better resemble intelligent octopi using alkaline metals as their first rudimentary energy source as we did with fire.
I may be biased though, "skim a recipe and wing it" is my default style anymore after all.
Columbus has recently found itself to be the new largest city and center of economic growth in the state, and changed rapidly and radically over the past couple of decades. As a result, it's nowhere near as seasoned and well-established as many other major metros, and the massive influx of new monied interests into the area quickly cornered their respective markets.
Moving back to the Cleveland area, which was quite the boom town a century ago but has infamously been in near-perpetual decline ever since (with many residents, like I had, migrating to Columbus), has much healthier competition in the rental market.
Perhaps in a few decades as new assets are built and today's ones slosh around the economy, Columbus will have healthier, more diverse competition and see your point ring true. It's certainly healthy in other sectors—one of my favorite things about living there was the great wealth of hole-in-the-wall bodegas, ethnic grocers, restaurants, and food trucks around me that meant even on my last dime I could always try new cuisines—but at least for those of us for whom even a high five-figure income is a distant dream, options are very limited.
Would still be nice to still see posts to the site, or even a mention of the fact that he's got that column there, but...
Much faster to find upper and lower bounds and essentially construct a hash table than to manually sort a whole list of non-trivial length.
As for the title of the article, well, follow the link.
Would that not entirely defeat the point of a revolver?
If it's a question of local politics, Ohio has recently leaned red but historically been considered a battleground state, so they're somewhat diverse.
Especially when it comes to more niche genres, such as lofi, a label can be a major help to increase name recognition for smaller artists just starting out, especially when said label allows such non-exclusive publishing deals and still offers the artists fair compensation. In this regard, they often serve as, essentially, incubators.
This is also a common way for much larger, more well-recognized artists within a niche to give back to the community, by providing their own name recognition to (or even starting) a relatively small label that launches other artists in similar genres, in spite of the fact that said label is less likely to give that artist in particular more value-add than another, larger one.