2,117 karma · joined November 24, 2013
I interview people here:
http://rickyreports.com
http://rickyreports.jp
Contact:
[username] [at] gmail.com
Kismet: f0329ee9f25e7e82960db06991f707f27714e8e004e2c90254f4832ee16d8783
meet.hn/city/jp-Tokyo
Socials: - github.com/coolandsmartrr - instagram.com/coolandsmartrr - twitter.com/coolandsmartrr
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The "investment in equipment, vehicles, and structures" seem to be referring to Capital-labor ratio, a metric in economics that is often attributed as a good indicator of company productivity. I wonder if firms would still prefer to invest in labor force in lieu of capital, given the greater revenue multiple achieved by capital investment.
While this study pertains to US labor force, it is also salient to the Japanese economy. Here in Japan, we have a shrinking working population. Firms have responded by importing labor from abroad and investing in capital (e.g. automation). For example, convenience stores would hire foreigners, but eventually reduce headcount when they install self-serviced checkout.
PM's resignation stemmed from unpopularity not due to tariff negotiation, but diminished ability to pass laws after the ruling party lost significant number of seats in elections for upper and lower houses.
As for other countries around the world, the world-wide inflation caused many ruling parties to lose support.
Meanwhile, Japanese subway stations still have trash cans, which are only blocked when foreign dignitaries visit the country. It doesn't seem authorities are reacting to the subway attacks from 30 years ago.
iTunes Ping was a Jobs-era attempt to create a social network for music. It seems that they were trying to rely on integrating with Facebook, who pulled out of the collaboration in the last minute before Ping's release.
Apple hasn't seem to have given up on social networks for music. Apple Music presents a nascent networking feature where users can see what their friends are listening to.[2] It seems that Apple has learned their lesson from Ping and does not rely on a third-party for a social graph, which is instead powered by iOS contacts.
While social media is not Apple's bread and butter, they have maintained their interest in having presence in this market. I would assume that this stems from Apple's overall desire to maintain influence over on-the-top services that define the iOS experience. If they let third parties flourish even further, thirds parties gain leverage that they can use during negotiations with Apple. If third parties successfully negotiate for more features that creates parity with apps on non-Apple devices, Apple loses its differentiation on the device markets, thereby losing revenue.
(I think Stratechery wrote about Apple's service strategy that was motivated by its past relationships with Adobe and Spotify. Couldn't find the link.)
> We’re not asking them to come up with a better social media, or a better Notion or a better Netflix.
You're right that we haven't asked them for better on-the-top services. But it seems to be in Apple's interest to compete with third party services providers and make sure they do not supersede Apple in terms of their influence over on-the-top experiences.
[1] https://en.wikipedia.org/wiki/ITunes_Ping
[2] https://support.apple.com/en-gb/guide/iphone/iphdf490a9e9/io...
I've noticed that the app tends to use 15% of my CPU constantly. I wonder if there is room to improve efficiency so that the app does not hog resources.
- Form (Formal Blueprint of Ideas) vs Appearances (Actual Manifestation of Ideas) (Plato)
- Noumenal (how things are in themselves) vs Phenomenal (how things appear) (Immanuel Kant)
Gruber has been an idealistic and longtime Apple observer. This is probably why he seems to invoke the Idea of Apple to compare and critique the current Appearance of Apple.
Fascinated to see a remark on HN that reminds me of this concept in philosophy.
A couple questions:
(1) Are you supposed to join the waitlist to use this ("Get Early Access"), or can you just start using via TestFlight ("Download Today")? I see two different links on this page.
(2) How does this app measure the amount of light received by the Apple Watch? Does the Watch have such sensors and expose such APIs?
Otherwise, I'll let you know once it's widely available.
My film got screened at the Academy Award-qualifying Bali International Film Festival and the Marina Del Rey Film Festival in the past month. It will be screening next month in New York City at the Asian American International Film Festival.
I remember seeing low-quality but viral content on YouTube, so I kept telling it "Don't Recommend This" for quite a while (month-ish). Now it's better, but the recommendation algorithm needs a lot of samples labeled negative.
Like any social networks, the key to this website's success would be retention. I hope you find a way to make users come back often.
Furthermore, the communities for film appreciation and film making may behave differently on a film news website. While people who appreciate film can candidly talk about films, people who make films have vested stakes. This can make Filmmakers self-censor their thoughts. (e.g. They don't want to openly criticize a veteran filmmaker, since the veterans might have influence in the younger filmmaker's future production.)
I share your frustration with existing online film communities. The problems I notice in online film communities (including the film-specific Letterboxd) are:
- knee-jerk reactions that are paltry in analysis (e.g. "old films are better because they were shot on film" or "how dare you dislike that film")
- churlish reactions getting "likes" in part to its humor, not its content
- comments saying nothing more than "look how beautiful/ugly this is"
A couple of questions:
1) This website may become more valuable if it could attract and retain insightful commenters. Is there any plan to achieve that?
2) What made you focus this website on film news? Are moviegoers more able to comment insightfully on news that is in-the-making?
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[1] This may be the root cause of the decline in the quality of film discussions, like with discussion of many other subjects in our age of social media. Most people do not engage with quality sources, which lowers their expectations for discussions in general. One can still find substantial information in publications that enforce editorial standards, such as trade magazines and journals on film studies.
[1] On a side note, I lament how this phrasing became over-used by adult content creators, thereby making its connotation strongly affiliated with that industry.