Think of the recent generative AI artwork...rather than drawing, and creating, (some/most?) artists fear just being prompt-carvers. The fun of the art has been replaced with menial labour of crafting prompts.
538 karma · joined April 19, 2018
Think of the recent generative AI artwork...rather than drawing, and creating, (some/most?) artists fear just being prompt-carvers. The fun of the art has been replaced with menial labour of crafting prompts.
War might benefit _some_ russians, or _some_ americans, or _some_ <whatever_nation>, but I doubt that on balance 'peace' is a worse situation for most people. So, if NATO can encourage peace (even through threat of force), that's overall a benefit
AI algorithms can generate 'noise' at a much faster rate than people can, so it will be even harder to find the hidden gems.
Speed adjustment is available for video podcasts on spotify desktop. I just tried it directly on a rogan podcast, and can use it on both linux and windows desktop.
Many people that go off the beaten track often fall into the same ditch.
You can load in whatever document you want as a source, and it'll randomly select chunks of whatever size you want (i.e. about 200 words-worth). It then gives you analysis of your performance, as well as breaking down what trigrams and words cause you the most trouble.
Combine this with ngram training to get the muscle memory of the most common chunks of english and you can really quickly improve your fluency [^2].
1: https://gitlab.com/franksh/amphetype
You need to memorise enough of the topic that you can draw relationships between disparate elements.
Having content in your memory means you have the ability to potentially pull it up quicker, or to pull it up in a situation (such as a team meeting) where you don't have access to the book.
If you rely only on what's previously written, foregoing memorisation, you are limited to the relationships that other people have written down.
However, it's rare that I actually see articles talking about WHAT they capture. They never put the PKM into context. So again a lot of these articles feel like 'just take notes, DUH!'...and yes that's mainly what it comes down to. But with blog post after blog post, there seems to be so much added 'ceremony' to note taking. If there wasn't so much ceremony, one blog post would likely do. Adding all this ceremony just feels like you (the amorphous 'you') are trying to complicate the process so that you can monetise the solution.
If some of these articles explained their thought process about capture and organisation in a real world context, rather than just the abstract notion of 'tags are good', 'organisation is good', 'notes let you follow up on stuff later!', they wouldn't seem so vacuous.
I generally am also quite interested in PKM, and have maintained a git repo of markdown for the best part of a decade, augmented with pinboard and goodnotes for bookmarks and handwriting respectively. I've tried various tools such as evernote, obsidian, physical notebooks, zettelkasten, personally hosted wikis, tiddlywiki, trello, onenote, zenodo, mendeley etc over the years, and even wrote my own bookmarking solutions and CLI tools.
If you want to save lives in general, look for the most _effective_ charity like that, which may be something like mosquito nets rather than a cancer research foundation. Don't just donate money to whatever is the most obvious charity advertised on television.
If you had a family member with cancer, look at which of N cancer foundations spend the money most effectively and donate there.
Often, altruism comes down to people giving money to the 'obvious' causes, which don't necessarily use the money effectively.
This documentary is a really great coverage of the young ones, including interviews with all the main cast. Not sure quite how much of it is in overlap with the article, but fun bit of background watching.
With mastodon/fediverse, you have a choice of numerous different 'twitters', rather than being stuck with the global twitter decision.
edit: by which I mean...if the adhesive was stronger, the post-its could curl and still stick to the wall. Post-its' soft adhesive lets them easily peel from each other, but also lets the minor force of a curled post-it unstick it from the wall.
The only way I can think of to present it as you'd play it would be to implement the notes facing 'away' from you, and have a transparency effect like you're looking through the back of the neck (to make it clear we're talking guitar orientation). Otherwise, the articles' orientation is how you'd see the fretboard if you just tilted the neck towards yourself.
Even if there is strong concern for CIA and Mossad in this situation, do you think your snark does anything to improve the situation? Do you think it brings people towards, or pushes people away from your position? Or perhaps people just read your snark and think "im not going to even fucking pay attention to this guy"? Or is it just for your own shits and giggles?
Try to improve the situation by providing some real data as to why _this_, or some other event, IS being driven by Mossad/CIA/whoever, rather than just throwing snark into an online chat.
The world doesn't benefit from people just throwing shit at each other. If you have evidence, educate the world. If you don't, useful actions would be to _look_ for evidence, not just promote antagonism.
Definition of conspiracy theory
: a theory that explains an event or set of circumstances as the result of a secret plot by usually powerful conspirators
You have no evidence that this is likely to be Israel. Just speculation. This is conspiracy theory by definition.
Now whether chess really IS more about calculation these days is a difficult question to answer. It might just be that it values a different kind of calculation or skill than the past. Given the deep preparation necessary for someone to be a chess professional, I'm biased towards (micro-edit: believing that...) more calculation _is_ necessary for high level performance, and psychology is more gimmicky.
The difference is that poker isn't a game of complete information, chess is. This means that, technically, there is a _right_ answer in chess. With the ambiguity of poker, and other games, that leaves room for psychology to be more natural.
If 'perfect' play--that we're approaching with engine analysis--results in a draw, you need to do something non-optimal and unexpected in order to get your opponent out of their engine prep and into thinking mode.
Whether it's better or worse is a different argument. Some find it a bit 'dry' in that there are often less blunders, dazzling tactics, and sacrifices because both sides now know the optimal approach. It's much more of a war of attrition in high-level, long time-control games. As an aside, that's potentially why bullet and other such chess is so popular...there isn't time to deeply analyse, so it's intuition, challenging positions, blunders, and less 'standard' play.
You need 'subterfuge and misdirection' in the sense that (as the world no-1 puts it), it's a semi-bluff...a weird/not-really-analysed position, but that will still end up in a draw if the opponent responds appropriately.
Lex: "Is there a sense in which it's ok to make sub-optimal moves?"
Magnus: "You HAVE to, because the best moves have been analysed to death, mostly."