This piece reads awfully. I haven't seen anything like this since trying to understand inscrutable postmodernist literary criticism at college.
I am very interested in this, but I'm having a lot of trouble understanding it. What's he trying to say?
Todays market of representations means that we exchange images that are valued by statements without consequence, statements whose only value is the one of attention, something we have learned from the advertising process, which has become the key process of culture. This cultural praxis fails to find a history of the human faces. The faces tried to break the boundaries of word and image, they were processes of conscious creation of speaking images for the feelings that words fail to describe.