382 karma · joined July 17, 2013
A sine wave at a single frequency, but with rhythmic volume swells from nearly inaudible to 0dBFS. The slow hopeful crescendos in the opening give way to a more playful bounce in the middle, before building to a frantic ending with nearly nauseating swings.
Pitchfork gave it a 10.0, and called it “Better than the remaster of In The Aeroplane Over The Sea. If our scale allowed, it would have gotten a 12.” What a ride.
The distortion that transformed it was fairly pedestrian: turn it up until it exceeds the dynamic range of the recording medium.
The result was that boring square wave at constant frequency and amplitude. Can you expect an AI to reconstruct this original, given both of our proposed original songs map to the same output?
I’d also argue that the original proposed algorithm is not simple, since it would have to remove the aliased frequency components when converting from the square wave back to a sine.
Nexamp is making energy clean and accessible, building and operating hundreds of megawatts of solar and storage capacity.
We're looking for backend (Django/Python + .Net/C#) developers with at least a couple years experience to build web applications and more on Azure
Apply Here: https://www.nexamp.com/careers?gh_jid=5254490002 or reach out to me directly at hkibbe@nexamp.com
Nexamp is making energy clean and accessible, building and operating hundreds of megawatts of solar and storage capacity.
We're looking for backend (Django/Python) developers with at least a couple years experience to build web applications and more on Azure
Apply Here: https://www.nexamp.com/careers?gh_jid=5254490002 or reach out to me directly at hkibbe@nexamp.com
Nexamp is making energy clean and accessible, building and operating hundreds of megawatts of solar and storage capacity.
We're looking for frontend (React/Typescript) and backend (Django/Python) developers with at least a couple years experience to build web applications and more on Azure
Apply Here: Backend: https://www.nexamp.com/careers?gh_jid=5254490002 Frontend: https://www.nexamp.com/careers?gh_jid=5298029002
f(t) * e^(iw + 0)t
= f(t) * e^(iwt) * e(at)
= f(t) * e(iwt) * e^(0t)
= f(t) * e(iwt)
integrated over time, which is your fourier transform subject to the condition above. It's just the laplace transform along the Y axis, or, the frequency response at steady state when not growing/decaying exponentially.I'd take the term "hardware disconnect" in this sense to mean that there exists no program that you can run on any of the processors, or no bitstream you could load into any FPGA on the device that would be able to enable the microphone when it shouldn't be enabled, eliminating the threat of malicious code enabling the microphone
module mic_enable (lid_closed, lots, of, signals, mic_enable);
input lid_closed, lots, of, signals;
output mic_enable;
assign mic_enable = !lid_closed & lots & of & other & signals;
endmoduleA lot of the classic designs that sound good and still sell have exactly what they need to get the job done well and no more. It’s almost like all the major (and boutique) amp manufacturers took one of three or so amp designs and just threw components at the schematic until you couldn’t recognize it right away, and sell it as some revolutionary design. I wouldn’t be surprised to find that it it all came from some RCA reference design in 1950