Not to be a buzzkill – this is a cool story! But it’s worth noting that perfect/absolute pitch can be a negative for musicians in some contexts, especially vocal music.
Since even the vast majority of musicians employ relative pitch, entire choruses can move together off of the original key, for good reasons and bad, but those with perfect pitch will (sometimes stubbornly) maintain the original key, even when doing so is counterproductive to the performance.
Lead singer in the ensemble is a little under the weather and can’t hit the high notes? Normally, you’d consider starting the piece down a step or two, and get on with the show without much trouble. But if you have members with perfect pitch, that may not be an option without some significant rehearsal to familiarize them.
This also translates to musical appreciation – I know people who can’t stand when a singer covers a song in a modified key, saying it sounds “wrong” and “terrible” compared to the original. For the vast majority of the audience, the key doesn’t matter terribly much, but for those with perfect pitch, the key is a significant attribute of the original piece, and it’s just as major as changing the words might be.
In other contexts, perfect pitch can be very handy, but it’s not always quite as “perfect” as it’s sometimes portrayed.