It's conceivable I might "get used to it" but that's like telling someone who hates cilantro that that will "get used to it". They don't want to and neither do I.
It's conceivable I might "get used to it" but that's like telling someone who hates cilantro that that will "get used to it". They don't want to and neither do I.
I don't buy it.
And storage costs are not trivial. Assuming a modest 10:1 shooting ratio, 8K resolution, 120fps, and 36bit color (12 bits per channel), that's 1.29PB of raw data for a 2 hour movie. Some genres (notably documentaries) have much higher shooting ratio.
This is an important point, and has more to do with the debate than whether or not 24 vs 60 is actually better. Many people don’t care if 60 is better and don’t want to hear the argument.
I expect that TV manufacturers aren’t intentionally trying to change anyone’s mind, but rather are looking at the future generations of viewers. Kids don’t seem to mind HFR as much, and kids outnumber adults who prefer 24fps. Today’s kids are tomorrow’s TV buyers.
A good answer might be to appease today’s vocal film lovers by adding settings or changing defaults, but they might also reasonably choose to cater to the preferences of the next generation over the current one.
[1]: https://en.wikipedia.org/wiki/Coriander#Taste_and_smell
It's like, nobody thinks 1080p is better than 4k. Or that 8 bit dynamic range is better than 10 bit. So why do some directors think that 24 FPS is better than 60? Art. Right.