Yes, but one of these was a plugin for $25/mo and the other is the whole damn tool to do your job for $5 a month on a device you couldn't run it on in the past. I expect it to not actually be bashed.

Yes and Photoshop users revolted against subscriptions. How long did that last?

As a long time electronic music producer, I make sure once installed my primary software is never updated as a rule[0]. My flow doesn’t make bouncing everything to audio feasible and there is nothing worse than opening a project you have worked on for a few months to find that it sounds… different. Counter-intuitively, learning to predict and deal with crashes and working around known bugs on the fly is way easier than stopping everything and spending days debugging what exactly messed up your sound—you have a few hundred of interwired devices, and if it turns out that a small change in some arpeggiator timing algorithm or macro wiring, intentional or inadvertently caused by some improvement, is impossible to completely revert, lost inspiration aside you may feel some pretty dark emotions because the thing as you knew it is basically gone.

So while the App Store model of forced updates was barely acceptable in case of toys for sketching ideas like Figure, Reason Compact, iKaossilator, etc., with my primary DAW? and I have to pay for these updates, too? For as long as App Store offers no requisite controls, proper desktop software (and of course all hardware) will rule, and I know I’m not alone with such a flow.

[0] The only exception is if all tracks I started in this version were finished, and that never happens. Otherwise the new version gets installed on a new machine, I’m not in rush.

...but you can use a mouse and keyboard with the iPad. And an external display.

I agree with you but also desire a hybrid approach. I've just spent the last ten months nearly full-time doing audio post production for an independent tv/web series in Logic. I can't tell you how often I've wanted to reach into the screen and touch/drag/edit clips in a comprehensive-multitouch-kinda way.

You can take my mouse and keyboard from my cold dead hands, but a multitouch augmentation (beyond what the "magic trackpad" gets ya) could be insanely useful (hoping it's a part of the AR future).

I’m sure Apple would agree that particular workflow wouldn’t be good on an iPad. That’s why they emphasize the round trip capabilities with Logic on the Mac.

And really, the vast, vast majority of people doing recording, even “serious” recording aren’t doing what you described. There will be plenty of workflows that will be possible on the iPad that aren’t on a Mac. There are many different kinds and stages of audio production. Logic on the iPad is going to be great for some people.

But you’re not limited to the touchscreen. The iPad has excellent external mouse support. I’m using Apple’s folio keyboard/trackpad combo to type this right now, but any USB or Bluetooth mouse will work. Even gaming mice work.

If you don’t need a traditional cursor, you can just also use an Apple Pencil for precise pointing needs such as piano roll editing.

You haven't used Logic pro on the iPad yet. Maybe reserve judgement until you've tried it?

I would actually prefer to draw in automation with a touchscreen/apple pencil vs. mouse. And direct manipulation of effect/instrument knobs as well as mixers is good.