testing how a DAW handles 300 identical low-CPU consumptive tracks is not at all appropriate for a music CPU workload assessment. No one except Charlie Clauser or Hollywood cinema post production uses projects with 300+ tracks -- it is a really idiosyncratic test that exposes the optimization liabilities of the DAW vs the CPU.
A Better test would be to set up an intensive real world 20 track project, assess utilization and overhead, and then find a real-world way to increment that stress upward to the breaking point.
Most computer music forum wonks use some kind of test based on softsynths or reverbs or a combination and stack them high on a smaller number of tracks.
I mean... 300 tracks? You're basically testing the DAW's thread management at that point, not the CPU as it would be used.