155 karma · joined September 18, 2012
-Focus on the "Sales Process". You won't go anywhere without first identifying the need(s) of the prospect and making sure they know that you understand their need(s). Then determine who the decision-maker is, so you don't waste your time selling to the wrong person.
-Approach prospects via email AND phone, until you've figured out which method they prefer.
-Don't give up until you've received a clear rejection. Offer rebuttals to their objections.
Stick with those rules, and work to refine your pitch. Persistence is key!
- TWC refuses to offer "wideband" service with a static IP. If you want a static IP, you must pay for TWC "Business Class" (>$99/mo.) for speeds much slower than with Wideband.
- Forgot to pay my bill one month. Some TWC employee stops by my office and tapes a flyer to the door. It basically says to call him or he will be the person who disconnects my service. I call him. He wants nothing less than my credit card number. Says I have to 'go through him' or it'll cost me an extra $100 and he'll disconnect me anyway. It seemed very sketch. I called the main TWC number and told my story. They asked me to fax a copy of the flyer I found on my door. After a couple of weeks of calls back-and-forth with one of the 'higher-up' billing people, I'm finally told that they had no idea an employee was going door-to-door and posting those flyers. Apparently, he made the flyer himself. I was never told any more about it, but the whole thing seemed very strange and was the start of me loosing faith in TWC. I now think even less of TWC because of their negative reactions to Google Fiber. I think that TWC cares about one thing, & one thing only --- profit. I hate to say it, but they are worse than Comcast (but not DirectTV [1])!
1. Washington State Attorney General's Office - complaint against DirectTV: http://atg.wa.gov/uploadedFiles/Home/News/Press_Releases/200...
As for the people complaining about prizes --- why don't you donate something more enticing than cow, chicken, and rooster?
Every time I use my iPhone to browse to Twitter or LinkedIn I'm taken away from the full site and to a silly "mobile" site that resembles the native app. If I wanted the native app. experience, I'd download and use it! Ever try approving a LinkedIn recommendation using your iPhone? Good luck!
Now think about most business websites...5 pages of text, images, and a touch of javascript... Does their "full site" have content that cannot be displayed properly on a mobile device? No. Is there a benefit to having a second, "mobile" website (one with much less love put into it)? I think not.
It seems to me that many people think that "mobile responsiveness" is such a great thing, but I'm not sure they've really considered whether it's even necessary. I'd bet that most designers who build WP sites on themes that tout "mobile responsiveness" (and have it enabled by default) haven't even considered whether their client needs the second version of their site. Even if they do, I think often times the "mobile" version ends up being an ugly, hardly-tested, bastardized version of the "full site". Just give us the real website, please!
http://cd.textfiles.com/group42/ANARCHY/COOKBOOK/BLOTBOX.HTM
I picture a somewhat disorganized system of Russian gov. employees sometimes working together and other times in opposition.
The Wikipedia article about the Russian FSB mentions certain internal groups spying on one another. It wasn't that long ago when federal agencies like the CIA and FBI were at odds and spying on each other.
I was just reading about the Fukushima accident, and how most of the EDG's failed because they were water-cooled, and while the EDG's were located out of harms way, the pumps for providing cooling water were located on low ground and were damaged by the tsunami. http://fukushima.ans.org/report/accident-analysis
Yesterday I saw a story about the Datagram data center in NYC having to shut down. From their reports about the damage (http://www.datagram.com):
"As of 5pm on October 29, 2012, Datagram had thoroughly tested its emergency systems at 33 Whitehall, NYC fully staffed and awaiting the storm to hit Manhattan's shores. Once ConEd lost power to Lower Manhattan, Datagram's emergency systems kicked on maintaining power to Datagram's datacenter. Unfortunately, within a couple hours of the storm hitting Manhattan's shores, the building's entire basement, which houses the building's fuel tank pumps and sump pumps, was completely filled with water and a few feet into the lobby. Due to electrical systems being underwater the building was forced to shut down to avoid fire and permanent damage."
It's pretty obvious that, despite all the disaster planning done in the past, Datagram (and TEPCO, and others) have really neglected to appreciate the potential modes of failure for their backup power systems. In both cases, they misunderstood the threat to critical backup power infrastructure. If your EDG is on the roof but the fuel pumps and electrical switchgear is in the basement, what will happen during a flood? If your EDG's are on high ground but the pumps to cool them are not, what happens during a tsunami?
Digital audio levels are fixed -- i.e. 0 dBFS (dB relative to digital "full scale"), thus you want the audio as close to full scale (0dBFS) as possible. This is the reasoning behind what you've probably heard described as the "loudness war". 0dBFS is the reference point beyond which no signal can exceed.
Contrast that with analog audio, be it the DAC (digital-to-analog converter) on your soundcard that splits to a "line out" (likely 3.5mm a/k/a/ 1/8" TRS connector outputting audio at -10 dBV, the "consumer" level) and "headphone jack" (i.e. line level signal -> headphone amplifier). Once the audio signal becomes analog, you must then be concerned about gain staging. If you have a crappy sound card, you shouldn't reduce the analog output, because, in order to achieve the same loudness, you will have to increase the gain on your 'speakers' (a/k/a/ "pre-amplifier"; often integrated into cheap 'all in one' computer audio playback systems). Remember that the noise floor remains the same regardless of gain settings, so by reducing the "line out" level, you are only increasing the noise floor (i.e. level of noise).
For all of you geeks out there... If you are looking to cut through the bullst and get a quality playback system, look into a setup that has a quality DAC and/with monitor controller, a separate preamp, and quality monitors. Benchmark has a great USB DAC, and or Lavry Engineering is what the professional mastering studios use (their DAC costs well over $20k, and not because of crap like 'voodoo diamond dust covered gold-plated platinum wires', but, in part, because it has an internal oven and temperature monitoring circuitry to keep the internals at precise temperatures). You can get a great monitor controller from Dangerous Audio or Coleman. Bryston preamp's are very popular in the professional setting, as are PMC and Bowers & Wilkins monitors.
Perhaps the price might be a hint that it's worth less than previous versions..
The culprit should not be NYT; it's the company that's spreading the adware.
An interesting thought experiment might be: what if TiVo replaced TV commercials with their own ad's..?
It'd be cost-prohibitive to replace all of that pro. audio equipment. Think of all the wireless microphones, transmitters, receivers, etc. for a typically Broadway show with up to 100 performers. Now thing about government offices, news studios, etc. There's simply too much equipment to replace.
People complain about how Google uses their personal data. But because of Google's dominant position, they have practically every eye on them, watching their every move. If everything were more decentralized, it would be much more difficult to determine who has your data and what they're doing with it. Think about the many recent unauthorized data breaches at Gawker, etc. Google's model makes sense. Their product is great. If Google can't earn enough revenue and goes bankrupt, do you really think you'll be better off than you are now? Google has helped to develop many of technologies that are critical to your favorite apps. Their innovations push the web forward, and we are lucky to have them.
Next, think about how Apple controls their "App Store". If all of the ad. revenue shifts to Apple, will we be better-off with them controlling which apps make it and which apps are "rejects"? What kind of novel, 'core' technologies has Apple ever freely shared with the Internet? I'm sick of people bashing Google all of the time… Do you remember Webcrawler? Do you want to go back to using that? Or ---god forbid--- Bing?
Lastly, the author of this article, "Eric Jackson, founder of Ironfire Capital", said pretty much the exact same thing about Facebook on June 4th of this year: http://www.cnbc.com/id/47674474/Facebook_Will_Disappear_in_5... Can anyone think of a reason why a talking head for a financial TV network would think twice before spewing bullshit? This guy probably sends pre-publication copies of his articles to friends who short the stocks on his 'hit list'…kinda like this: http://en.wikipedia.org/wiki/Eugene_Plotkin
-As mentioned earlier, how the mp3 was prepared, whether split or joint stereo encoding.
-The source of the instrumental version. If the source is vinyl, all bets are off. If the source is a proper "Instrumental Version", it would have been mastered from an identical mix but without vocals and vocal effects (ex. reverb), and with the exact same settings as the original master. That is how major labels typically do it --- if it's apparent that the album will be popular, they'll usually have an instrumental mix (and master) created at the same time. This is done because the label wants to have instrumental versions for later potential use in films, TV shows, award ceremonies, commercials, etc. It's much more expensive to go back and "recall" settings in order to "mix-down" instrumental versions. This usually requires hiring the original mix engineer or one of their assistants and renting the studio at which it was mixed. Many pieces of "analog" mixing gear are not "stepped" with repeatable settings. Analog gear also has differences between individual pieces of equipment, even if the same model. Equipment breaks, is sold or removed, and this makes the task of a recall that much more difficult. Recalling mastering settings isn't nearly as daunting, as mastering studios typically retain all of their equipment and keep it in working order. This means that good documentation is required, similar to the software development process. For many of your all-tim favorite albums, there exists binders full of charts, diagrams, and notes detailing microphone types and positioning in the room and relative to the instrument/speaker, channel assignments, mixing equipment settings, the type/speed/bias/etc. of tape, lyrics and notation, even the types and tuning of instruments. It's a very complex process to document and recreate.
Another interesting point is that, for some time now, movie distributors have used the FBI seal without licensing it. But that seal sure makes the video piracy warning look official! http://www.sonnyboo.com/images/tips/FBI.jpg