"This part of the song is called the second verse
Sounds just like the first verse but with different words
But all it has is three chords and they are A D E and D
There are A D and E and D
There goes the Dm D A E D"
22 karma · joined August 16, 2012
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"This part of the song is called the second verse
Sounds just like the first verse but with different words
But all it has is three chords and they are A D E and D
There are A D and E and D
There goes the Dm D A E D"
And for the 16 companies that did settle, the verdict may not change anything. In most cases, these licensing agreements have language that makes them nearly impossible to get out of, no matter what happens with the patent later on. This week, we heard back from a spokesman from one of the companies that chose to settle.
The spokesman wrote in an email, quote, "We were hit hard by this lawsuit. Infringement on our part seemed completely bogus, but we could not afford to fight it. Even with the settlement, we were forced to lay off employees. We are still--" and "still" is in all caps-- "still paying out on the settlement agreement. We were unaware that the patent had been invalidated. We will be contacting our attorney to see what recourse we may have."
It looks like in this case, it was more due to the licensee's inattention than a winning legal argument. (Unfortunately, this is an all-too-common occurrence, no matter what the law says.) I'd be curious to know what happened once they did contact their lawyer.To your other question, though, no, a license that tried to force continued payments despite invalidation would be very atypical. In fact, to do so is currently per se unenforceable. (Note, though, that the Supreme Court might allow for some gray area in this rule in the coming months).
If it's the other side's lawyers who are overlawyering the agreement, why not politely suggest to your counterpart that they, not their lawyers, should be driving the deal?
Another example, of course, would be digital rights management. Interestingly, DRM's high-water mark (from the perspective of those who insisted on it) began shortly after this article was written, when it was formalized by the DMCA’s anti-circumvention provisions. As the author would say, this helped to enhance the costs of “breaching” the DRM’s contract. (In the same way, laws against vandalism and petty theft enhance the costs of “breaching” the vending machine’s contract.)
A lot of developers (and a lot of lawyers!) rely on the rule of thumb that you're fine under the LGPL as you don't modify and don't statically link. That's a fine rule of thumb, but that's all it is.
I agree that there are fair use arguments, which is why I said "practically": hosts take down fair-use content every day. A subset of that is eventually restored, but only after the parties have argued it out (frequently through their lawyers).
Practically speaking, not including anything about copyright is just going to make your users (or their lawyers) ask questions before they ship, or before they're acquired, or....
If you really want to put it into the world for anyone to use without restriction, put it in the public domain (e.g., http://creativecommons.org/choose/zero/). But public domaining doesn't happen by accident — just failing to mention copyright doesn't cut it.
The other half should be spelled out in the engagement letter. If you don't like it, tell your lawyer -- we really will negotiate on these issues.