1,875 karma · joined May 9, 2016
A language should encourage writing robust/secure code, not just make it possible.
This seems strange to me. Don't most microcontrollers support executing directly from flash? Some even can't execute from RAM.
Though I agree with the main point, you can compile code as "PIC" - position independent code, and not bother with (ELF) relocations except for linking.
Also here you can't sue directly, you can file a complaint with the oversight bureau, which regularly happens just because a competitor is mad at not being selected, but that's a different problem...
I'm just a freelancer with FLOSS experience and some commercial experience, and so are plenty other FLOSS contributors. Nobody's going to create a company and hire staff just to have a chance at getting selected in the one tender a year that allows outsiders in.
The idea might be that only companies which have already proven themselves elsewhere can enter, but 1) then why the "public sector work revenue" requirement? And 2) that's not going to work for industries where government interest is much larger than private interest, like FLOSS.
But I suppose governments prefer the certainty that Accenture or local equivalents bring - a price an order of magnitude too high for a mediocre result and a 25% chance that the project will be fucked up and shelved, over the uncertainty of a small startup, who could either deliver something great, or overexert themselves and not finish at all...
It seems to have a few more technical details.
The downsides of murder clearly outweigh the upsides. The fact that we're debating here shows that's not the case for copyright.
> ...somebody having the rights to a cartoon mouse in perpetuity isn't actually holding society back is it?
People want to adapt that mouse into their own works, as they have done with stories since stories started being told. They do so even if they know they're breaking the law. That alone should be reason to reconsider copyright.
We all stand on the shoulders of giants, and reusing facets of modern stories isn't somehow less creative than reusing old stories or reusing lived experiences. You can take the general story beats of a popular work, strip out all copyrightable elements, and end up with something wholly derivative. You can also build on a known work and end up with something that's fresh, creative, maybe something that engages readers/watchers/listeners of the base work in a way that nothing fully original could. Take Harry Potter and the Methods of Rationality; it clearly reuses another work's characters and setting, but it would be worse off without it.
You also don't have to rent/buy a place to live, but I wouldn't want to live a life without a roof over my head or access to creative works of my culture. When you accept that access to media is a necessity (and people today do treat it as such, just try finding someone who doesn't listen to music, watch videos, read books...), you clearly see that having copyright is a decision made by the state that results in wealth transfer from every citizen to authors and publishers.
Those authors/publishers do provide value, so it's not necessarily a bad thing, but as with every market intervention, the specifics need to be carefully considered.
There are also other models than creating a work without any income, then recouping that cost by a state-granted monopoly. You can release preview chapters and then solicit donations from interested readers. You can build on your reputation and then promise to finish the book later for some up-front payment. These might not work for everyone, but they are in wide use today. One could argue that removing options for those authors that depend on copyright today is still a reasonable price to pay for removing all the abuses of copyright.
I wouldn't say we have more "traditional" art that an author spends time creating with the vision of selling copies for years to come, than we did when copyright terms were shorter.
See also the Velvet Revolution for a pretty large shift away from totalitarianism without any deaths.
Abstraction has served us well in managing complexity before. I wouldn't abandon it out of misplaced idealism.
Once the consumer has paid, it's your money now. The incentive is clear, less packaging means more money you keep. That only big producers will actually see the per-ton payments as significant instead of just having to pay absurd registration fees is a separate issue.